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Kérjen
árajánlatot! |
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| 1. | Alabama Song
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| 2. | Havana Song
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| 3. | As You Make Your Bed
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| 4. | Mack The Knife
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| 5. | Bilbao Song
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| 6. | Barbara Song
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| 7. | Pirate Jenny
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| 8. | Mack The Knife
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| 9. | Bilbao Song
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| 10. | Pirate Jenny
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| 11. | The Stranger
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| 12. | Afternoon In Paris
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| 13. | Night Float
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Jazz
Digitally remastered and expanded edition. The complete Mike Zwerin album presenting modern Jazz musicians playing the music of Kurt Weill. Eric Dolphy and John Lewis were the stars of half of this album (Dolphy died before the second session was scheduled in 1965). As a bonus, all of the other small group studio recordings by Dolphy and Lewis playing together. Originally issued in different conceptual albums which included music from several sessions and with many variations in personnel, the small group collaborations between Eric Dolphy and John Lewis have never been previously compiled on a single set.
Eric Dolphy
Active Decades: '50s and '60s
Born: Jun 20, 1928 in Los Angeles, CA
Died: Jun 29, 1964 in Berlin, Germany
Genre: Jazz
Styles: Post-Bop, Early Creative, Free Jazz, Avant-Garde Jazz
Eric Dolphy was a true original with his own distinctive styles on alto, flute, and bass clarinet. His music fell into the "avant-garde" category yet he did not discard chordal improvisation altogether (although the relationship of his notes to the chords was often pretty abstract). While most of the other "free jazz" players sounded very serious in their playing, Dolphy's solos often came across as ecstatic and exuberant. His improvisations utilized very wide intervals, a variety of nonmusical speechlike sounds, and its own logic. Although the alto was his main axe, Dolphy was the first flutist to move beyond bop (influencing James Newton) and he largely introduced the bass clarinet to jazz as a solo instrument. He was also one of the first (after Coleman Hawkins) to record unaccompanied horn solos, preceding Anthony Braxton by five years.
Eric Dolphy first recorded while with Roy Porter & His Orchestra (1948-1950) in Los Angeles, he was in the Army for two years, and he then played in obscurity in L.A. until he joined the Chico Hamilton Quintet in 1958. In 1959 he settled in New York and was soon a member of the Charles Mingus Quartet. By 1960 Dolphy was recording regularly as a leader for Prestige and gaining attention for his work with Mingus, but throughout his short career he had difficulty gaining steady work due to his very advanced style. Dolphy recorded quite a bit during 1960-1961, including three albums cut at the Five Spot while with trumpeter Booker Little, Free Jazz with Ornette Coleman, sessions with Max Roach, and some European dates.
Late in 1961 Dolphy was part of the John Coltrane Quintet; their engagement at the Village Vanguard caused conservative critics to try to smear them as playing "anti-jazz" due to the lengthy and very free solos. During 1962-1963 Dolphy played third stream music with Gunther Schuller and Orchestra U.S.A., and gigged all too rarely with his own group. In 1964 he recorded his classic Out to Lunch for Blue Note and traveled to Europe with the Charles Mingus Sextet (which was arguably the bassist's most exciting band, as shown on The Great Concert of Charles Mingus). After he chose to stay in Europe, Dolphy had a few gigs but then died suddenly from a diabetic coma at the age of 36, a major loss.
Virtually all of Eric Dolphy's recordings are in print, including a nine-CD box set of all of his Prestige sessions. In addition, Dolphy can be seen on film with John Coltrane (included on The Coltrane Legacy) and with Mingus from 1964 on a video released by Shanachie.
---Scott Yanow, All Music Guide
John Lewis
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: May 03, 1920 in La Grange, IL
Died: Mar 29, 2001
Genre: Jazz
Styles: Chamber Jazz, Bop, Cool, Ballads, Third Stream, Mainstream Jazz, Orchestral Jazz
The musical director of the Modern Jazz Quartet for its entire history, John Lewis found the perfect outlet for his interest in bop, blues and Bach. Possessor of a "cool" piano style that (like Count Basie's) makes every note count, Lewis with the MJQ has long helpled make jazz look respectable to the classical music community without watering down his performances.
After serving in the military, Lewis was in the Dizzy Gillespie big band (1946-48). He recorded with Charlie Parker during 1947-48 (including "Parker's Mood") and played with Miles Davis's Birth of the Cool Nonet, arranging "Move" and "Rouge." He worked with Illinois Jacquet (1948-49) and Lester Young (1950-51) and appeared on many recordings during the era. In 1951 Lewis recorded with the Milt Jackson Quartet which by 1952 became the Modern Jazz Quartet. Lewis's musical vision was fulfilled with the MJQ and he composed many pieces with "Django" being the best-known. In addition to constantly touring with the MJQ during 1952-74, Lewis wrote the film scores to Odds Against Tomorrow, No Sun in Venice and A Milanese Story, recorded as a leader (including the 1956 cool classic "Two Degrees East, Three Degrees West," collaborations with Gunther Schuller and records with Svend Asmussen and Albert Mangelsdorff) and worked with Orchestra U.S.A. in the mid-'60s. When the MJQ broke up in 1974, Lewis worked as an educator and occasionally recorded as a leader. With the MJQ's rebirth in 1981, he has resumed his former role as its guiding spirit. Most of John Lewis's own projects were recorded for Atlantic.
---Scott Yanow, All Music Guide |
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