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| The Complete Hidden Treasure Sessions |
| Jabbo Smith |
első megjelenés éve: 2008
76 perc |
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| (2008)
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CD |
| 4.001 Ft
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| 1. | Diga Diga Doo
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| 2. | These Foolish Things (4 Takes)
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| 3. | I Would Do Anything For You
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| 4. | Rosetta (3 Takes)
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| 5. | Keepin' Out Of Mischief Now
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| 6. | I Found A New Baby
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| 7. | Love Me Or Leave Me (Take 1)
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| 8. | Love Me Or Leave Me (Take 2)
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| 9. | Sunday (2 Takes)
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| 10. | When A Woman Loves A Man
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| 11. | I Want A Little Girl
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| 12. | Sweet Georgia Brown (2 Takes)
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| 13. | I Can't Believe That You're In Love With Me
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| 14. | Squeeze Me
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Jazz
CLADYS "JABBO" SMITH (tp,voc) on all tracks plus:
Tracks 1-6:
Recorded: New York, June 3, 1961
Fred Chace (cl), John Dengler (bs), Marty Grosz (g), Art Gronwall (p), Bob Saltmarsh (d).
Tracks 7-14:
Recorded: New York, October 15, 1961
Fred Chace (cl), Big Mike McKendrick (g), Marty Grosz (b) Art Gronwall (p), White Mitchell (d).
For The First Time Ever On CD!!
This 2008 release presents the complete 1961 Hidden Treasure sessions by the unique Jabbo Smith for the first time ever on CD.
Jabbo Smith
Active Decades: '20s, '30s, '40s, '50s, '60s and '70s
Born: Dec 24, 1908 in Pembroke, GA
Died: Jan 16, 1991 in New York, NY [Manhattan]
Genre: Jazz
Styles: Big Band, Swing, Classic Jazz, Hot Jazz
Jabbo Smith had one of the oddest careers in jazz history. A brilliant trumpeter, Smith had accomplished virtually all of his most significant work by the time he turned 21, yet lived to be 82. He learned to play trumpet at the legendary Jenkins Orphanage in Charleston, and by the time he was 16, Smith showed great promise. During 1925-1928 he was with Charlie Johnson's Paradise Ten, a top New York jazz group that made some classic recordings. Smith was on a recording session with Duke Ellington in 1927 (resulting in a memorable version of "Black and Tan Fantasy") and played in the show Keep Shufflin' with James P. Johnson and Fats Waller. The high points of Smith's career were his 1929 recordings with his Rhythm Aces. These superb performances feature Smith playing with daring, creativity, and a bit of recklessness, displaying an exciting style that hints at Roy Eldridge (who would not burst upon the scene for another six years). But, although Jabbo Smith at the time was considered a close competitor of Louis Armstrong, he had hit his peak. His unreliability, excessive drinking, and unprofessional attitude resulted in lost jobs, missed opportunities, and a steep decline. After playing with one of Claude Hopkins' lesser orchestras during 1936-1938, Smith settled in Milwaukee and became a part-time player. Decades passed, and when he was rediscovered in the 1970s (when he was picked to perform in the musical show One Mo' Time), he was a weak player, a mere shadow of what he could have been.
---Scott Yanow, All Music Guide |
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