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2 x DVD video |
| 2.523 Ft
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| 1. DVD video tartalma: |
| 1. | Shake for Me
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| 2. | Eccentric Man
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| 3. | 3744 James Road
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| 4. | I Want You to Love Me
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| 5. | Split, Pt. 1
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| 6. | Split, Pt. 2
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| 7. | Mistreated
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| 8. | Still a Fool
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| 9. | Cherry Red
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| 10. | Groundhog Blues
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| 11. | Down in the Bottom
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| 2. DVD video tartalma: |
| 1. | Shake for Me
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| 2. | Eccentric Man
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| 3. | 3744 James Road
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| 4. | I Want You to Love Me
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| 5. | Split, Pt. 1
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| 6. | Split, Pt. 2
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| 7. | Mistreated
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| 8. | Still a Fool
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| 9. | Cherry Red
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| 10. | Groundhog Blues
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| 11. | Down in the Bottom
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Tony (T.S.) McPhee - guitars & vocals, Eric Chipulina - bass, Pete Correa - drums
DVD + CD Collector's Edition
Disc 1: DVD
Disc 2: CD
Filmed at London's Astoria on February 20th 1998, this was the first complete Groundhogs live show ever to be filmed. The band were touring in support of their album "Hogs In Wolf's Clothing", their tribute to the great Howlin' Wolf, and the show starts and finishes with tracks from that album but also features songs from across their career going right back to "Still A Fool" from their 1968 debut album "Scratching The Surface".
This concert release captures a 1998 show by Groundhog that features just under a dozen songs including "Shake for Me," "Eccentric Man," "I Want You to Love Me," and "Down In the Bottom."
---Perry Seibert, All Movie Guide
The Groundhogs
Active Decades: '60s, '70s, '80s and '90s
Born: 1963
Died: 1976
Genre: Rock
Styles: Blues-Rock, Hard Rock, Prog-Rock/Art Rock, Heavy Metal, Album Rock, British Psychedelia
The Groundhogs were not British blues at their most creative; nor were they British blues at their most generic. They were emblematic of some of the genre's most visible strengths and weaknesses. They were prone to jam too long on basic riffs, they couldn't hold a candle to American blues singers in terms of vocal presence, and their songwriting wasn't so hot. On the other hand, they did sometimes stretch the form in unexpected ways, usually at the hands of their creative force, guitarist/songwriter/vocalist T.S. (Tony) McPhee. For a while they were also extremely popular in Britain, landing three albums in that country's Top Ten in the early '70s.
The Groundhogs' roots actually stretch back to the mid-'60s, when McPhee helped form the group, named after a John Lee Hooker song (the band was also known briefly as John Lee's Groundhogs). In fact, the Groundhogs would back Hooker himself on some of the blues singer's mid-'60s British shows, and also back him on record on an obscure LP. They also recorded a few very obscure singles with a much more prominent R&B/soul influence than their later work.
In 1966, the Groundhogs evolved into Herbal Mixture, which (as if you couldn't guess from the name) had more of a psychedelic flavor than a blues one. Their sole single, "Machines," would actually appear on psychedelic rarity compilations decades later. The GroundhogsHerbal Mixture singles, along with some unreleased material, has been compiled on a reissue CD on Distortions.
After Herbal Mixture folded, McPhee had a stint with the John Dummer Blues Band before reforming the Groundhogs in the late '60s at the instigation of United Artists A&R man Andrew Lauder. Initially a quartet (bassist Pete Cruickshank also remained from the original Groundhogs lineup), they'd stripped down to a trio by the time of their commercial breakthrough, Thank Christ for the Bomb, which made the U.K. Top Ten in 1970.
The Groundhogs' power-trio setup, as well as McPhee's vaguely Jack Bruce-like vocals, bore a passing resemblance to the sound pioneered by Cream. They were blunter and less inventive than Cream, but often strained against the limitations of conventional 12-bar blues with twisting riffs and unexpected grinding chord changes. McPhee's lyrics, particularly on Thank Christ for the Bomb, were murky, sullen anti-establishment statements that were often difficult to decipher, both in meaning and actual content. They played it straighter on the less sophisticated follow-up, Split, which succumbed to some of the period's blues-hard-rock indulgences, putting riffs and flash over substance.
McPhee was always at the very least an impressive guitarist, and a very versatile one, accomplished in electric, acoustic, and slide styles. Who Will Save the World? The Mighty Groundhogs! (1972), their last Top Ten entry, saw McPhee straying further from blues territory into somewhat progressive realms, even adding some mellotron and harmonium (though the results were not wholly unsuccessful). The Groundhogs never became well-known in the U.S., where somewhat similar groups like Ten Years After were much bigger. Although McPhee and the band have meant little in commercial or critical terms in their native country since the early '70s, they've remained active as a touring and recording unit since then, playing to a small following in the U.K. and Europe.
---Richie Unterberger, All Music Guide |
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