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| 3.801 Ft
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| 1. | Barbados
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| 2. | All the Things You Are
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| 3. | The More I See You
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| 4. | Celia
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| 5. | Daahoud
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| 6. | Newport Blues
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| 7. | I'm Beginning to See the Light
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| 8. | Afternoon in Paris
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Jazz
Recorded in New York, New York on May 3 & 4, 1956
Phineas Newborn, Jr. (piano)
Calvin Newborn (guitar)
Oscar Pettiford (bass)
Kenny Clarke (drums)
This Atlantic session was the recording debut for 24-year old Phineas Newborn, the remarkable jazz pianist oft compared to Oscar Peterson. On this album, he's backed by Oscar Pettiford on bass, Kenny Clarke on drum and Calvin Newborn on guitar. Includes original liner notes written by George Wein.
Reissue producers: Donald Elfman, Naomi Yoshii.
Originally released on Atlantic (1235). Includes liner notes by George Wein.
All tracks have been digitally remastered using HDCD technology.
* Burt Goldblatt - Cover Art, Photography
* Gene Paul - Mastering
* Rudy Van Gelder - Engineer
Other than two numbers cut for the Progressive label in Houston a couple years earlier (and thus far never reissued), this Atlantic session (put out as a Koch CD in 1999) was the recording debut for the remarkable Phineas Newborn. The 24-year-old pianist's playing on this trio/quartet date with bassist Oscar Pettiford and drummer Kenny Clarke (and occasionally guitarist Calvin Newborn) is virtuosic to say the least, on Oscar Peterson's level if not Art Tatum's. Newborn rips through the repertoire (which is highlighted by "Barbados," "Celia," "Daahoud," and "Afternoon in Paris"); try to tap your foot to "Celia" without breaking your ankle! In the liner notes, George Wein faults Newborn's tendency to double time the ballads, and some listeners may shake their heads at his constant outpouring of technically impossible runs (those speedy octaves are ridiculous) -- but if one has chops on this level, one should feel free to display them. This is a dazzling debut from an ill-fated but classic pianist, and this CD is a gem.
--- Scott Yanow, All Music Guide
Phineas Newborn, Jr.
Active Decades: '50s, '60s, '70s and '80s
Born: Dec 14, 1931 in Whiteville, TN
Died: May 26, 1989 in Memphis, TN
Genre: Jazz
Styles: Hard Bop, Mainstream Jazz
One of the most technically skilled and brilliant pianists in jazz during his prime, Phineas Newborn remains a bit of a mystery. Plagued by mental and physical problems of unknown origin, Newborn faded from the scene in the mid-1960s, only to re-emerge at irregular intervals throughout his life. Newborn could be compared to Oscar Peterson in that his bop-based style was largely unclassifiable, his technique was phenomenal, and he was very capable of enthralling an audience playing a full song with just his left hand.
He started out working in Memphis R&B bands with his brother, guitarist Calvin Newborn, and recorded with local players including B.B. King in the early 1950s. Brief stints with Lionel Hampton and Willis Jackson preceded a period in the military (1952-54). After moving to New York in 1956, Newborn astounded fans and critics alike. Although he worked briefly with Charles Mingus (1958) and Roy Haynes, Newborn usually performed at the head of a trio or quartet. His early recordings for Atlantic (1956), Victor, Roulette and Contemporary are quite outstanding. Unfortunately, after the mid-'60s, Newborn's profile dropped sharply, and although there were further recordings for Contemporary (1969), Atlantic (1969), Pablo (1976) and the Japanese Philips (1977) label, and although he still sounded strong when appearing in public, the pianist was in danger of being forgotten by most of the jazz world during his last decade. Spending most of his time in Memphis, he was an inspiration to many younger pianists including James Williams, Harold Mabern, Mulgrew Miller, Donald Brown and Geoff Keezer, who after Newborn's death would dedicate their work as the Contemporary Piano Ensemble to Phineas. Fortunately, the episode of Jazz Scene USA that features Phineas Newborn in 1962 has been made available on a video by Shanachie.
--- Scott Yanow, All Music Guide |
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