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| 1. | Man in the Green Shirt
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| 2. | Lusitanos
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| 3. | Between the Thighs
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| 4. | Badia
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| 5. | Freezing Fire
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| 6. | Five Short Stories
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Jazz / Fusion
Recorded: Feb 1975-Apr 4, 1975, Wally Heider Studios, Los Angeles, California
Weather Report
Joe Zawinul (vocals, piano, Fender Rhodes piano, electric piano, melodica, organ, xylophone, out, mzuthra, steel drums), Wayne Shorter (soprano & tenor saxophones), Al Johnson (electric bass), "Ndugu" Leon Chancler (drums, timpani, percussion), Alyrio Lima (percussion)
Weather Report's ever-changing lineup shifts again, with the somewhat heavier funk-oriented Leon "Ndugu" Chancler dropping into the drummer's chair and Alyrio Lima taking over the percussion table. As a result, Tale Spinnin' has a weightier feel than Mysterious Traveller, while continuing the latter's explorations in Latin-spiced electric jazz/funk. Zawinul's pioneering interest in what we now call world music is more in evidence with the African percussion, wordless vocals, and sandy sound effects of "Badia," and his synthesizer sophistication is growing along with the available technology. Wayne Shorter's work on soprano sax is more animated than on the previous two albums and Alphonso Johnson puts his melodic bass more to the fore. While not quite as inventive as its two predecessors, this remains an absorbing extension of WR's mid-'70s direction.
---Richard S. Ginell, All Music Guide
Weather Report's ever-changing lineup shifts again, with the somewhat heavier funk-oriented Leon "Ndugu" Chancler dropping into the drummer's chair and Alyrio Lima taking over the percussion table. As a result, Tale Spinnin' has a weightier feel than Mysterious Traveller, while continuing the latter's explorations in Latin-spiced electric jazz/funk. Zawinul's pioneering interest in what we now call world music is more in evidence with the African percussion, wordless vocals, and sandy sound effects of "Badia," and his synthesizer sophistication is growing along with the available technology. Wayne Shorter's work on soprano sax is more animated than on the previous two albums and Alphonso Johnson puts his melodic bass more to the fore. While not quite as inventive as its two predecessors, this remains an absorbing extension of WR's mid-'70s direction.
---Richard S. Ginell, AMG
Includes liner notes by John Ephland and Hal Miller |
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