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| Larry Young's Fuel [Japan] |
| Larry Young |
japán
első megjelenés éve: 1975 |
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| (2006)
[ LIMITED DIGIPACK ]
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CD |
Kérjen
árajánlatot! |
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| 1. | Fuel for the Fire
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| 2. | I Ching (Book of Changes)
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| 3. | Turn off the Lights
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| 4. | Floating
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| 5. | H + J = B (Hustle + Jam = Bread)
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| 6. | People Do Be Funny
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| 7. | New York Electric Street Music
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Jazz
Larry Young - Keyboards, Producer
Fernando Saunders - Bass, Synthesizer
Laura "Tequila" Logan - Vocals
Rob Gottfried - Drums, Percussion
Santiago Torano - Synthesizer
* Brian MacDonald - Engineer
* Doug Clark - Engineer
* Terry Phillips - Engineer, Producer
This 1975 sessions has Young with Santiago Torano (g), Fernando Sanders (b), Rob Gottfried (d), and Laura "Tequila" Logan (vcl). Includes such exotic tunes as "I Ching (Book of Changes)" and "H + J B (Hustile + Jam Bread)."
---All Music Guide, All Music Guide
Larry Young
Active Decades: '60s and '70s
Born: Oct 07, 1940 in Newark, NJ
Died: Mar 30, 1978 in New York, NY
Genre: Jazz
Styles: Jazz-Funk, Soul-Jazz, Fusion, Post-Bop, Hard Bop, Modal Music, Avant-Garde Jazz
If Jimmy Smith was "the Charlie Parker of the organ," Larry Young was its John Coltrane. One of the great innovators of the mid- to late '60s, Young fashioned a distinctive modal approach to the Hammond B-3 at a time when Smith's earthy, blues-drenched soul-jazz style was the instrument's dominant voice. Initially, Young was very much a Smith admirer himself. After playing with various R&B bands in the 1950s and being featured as a sideman with tenor saxman Jimmy Forrest in 1960, Young debuted as a leader that year with Testifying, which, like his subsequent soul-jazz efforts for Prestige, Young Blues (1960), and Groove Street, (1962), left no doubt that Smith was his primary inspiration. But when Young went to Blue Note in 1964, he was well on his way to becoming a major innovator. Coltrane's post-bop influence asserted itself more and more in Young's playing and composing, and his work grew much more cerebral and exploratory. Unity, recorded in 1965, remains his best-known album. Quick to embrace fusion, Young played with Miles Davis in 1969, John McLaughlin in 1970, and Tony Williams' groundbreaking Lifetime in the early '70s. Unfortunately, his work turned uneven and erratic as the '70s progressed. Young was only 38 when, in 1978, he checked into the hospital suffering from stomach pains, and died from untreated pneumonia. The Hammond hero's work for Blue Note (as both a leader and a sideman) was united for Mosaic's limited-edition six-CD box set The Complete Blue Note Recordings.
---Alex Henderson, All Music Guide |
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