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| 4.401 Ft
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| 1. | I'm Getting Sentimental Over You
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| 2. | Slow Dance
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| 3. | Adagio Swing
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| 4. | I Want To Be Happy
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| 5. | New Orleans
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| 6. | This the Time
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| 7. | After You've Gone
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| 8. | Blue Waltz
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| 9. | Love of My Life
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| 10. | We'll Always Be Together
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Jazz
Eddie Daniels
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Oct 19, 1941 in New York, NY
Genre: Jazz
Styles: Chamber Jazz, Contemporary Jazz, Fusion, Hard Bop, Post-Bop, Third Stream
One of the truly great jazz clarinetists (ranking at the top with Benny Goodman, Artie Shaw, and Buddy DeFranco), Eddie Daniels makes the impossible look effortless. On his first GRP release, Breakthrough, in 1984, Daniels switched back and forth on a second's notice between jazz and classical and he has since explored Charlie Parker, Roger Kellaway tunes, crossover, and even swing with consistent brilliance. He is also a dazzling (if underrated) tenor player. Daniels appeared at the 1957 Newport Jazz Festival in Marshall Brown's Youth Band (playing alto) and after graduating from Juilliard in 1966, he played tenor with the Thad JonesMel Lewis Orchestra for six years. Daniels recorded First Prize as a leader (1966) and made albums with Freddie Hubbard (1969), Richard Davis, Don Patterson, and duets with Bucky Pizzarelli (1973). Although he recorded as a leader for Muse and Columbia during 1977-1978, Eddie Daniels did not make it big until he started specializing on clarinet and recording regularly for GRP in 1984. In 1992, he started doubling on tenor again when his reputation on clarinet was secure.
---Scott Yanow, All Music Guide
Roger Kellaway
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Nov 01, 1939 in Newton, MA
Genre: Jazz
Styles: Big Band, Dixieland, Bop, Hard Bop, Contemporary Jazz
A virtuosic pianist whose phenomenal technique rivals Dick Hyman's, Roger Kellaway's work in commercial settings prior to the 1980s led to him being initially overlooked in the jazz world. He played piano and bass at the New England Conservatory (1957-1959) and actually left school to play bass with Jimmy McPartland. Switching permanently to piano, Kellaway picked up experience working with Kai Winding, Al CohnZoot Sims, and Clark TerryBob Brookmeyer (1963-1965). He recorded with many players, including Ben Webster, Maynard Ferguson, Wes Montgomery, and Sonny Rollins, and in 1966 moved to Los Angeles where he played with Don Ellis' innovative orchestra. Kellaway became Bobby Darin's musical director, worked in the studios (his piano is heard playing the theme of All in the Family), wrote film scores, experimented with electric keyboards, played with Tom Scott, and recorded with his popular (but mostly non-jazz) Cello Quartet. Although he gigged locally with Zoot Sims and Harry "Sweets" Edison, it was not until the mid-'80s that Kellaway started playing jazz nearly full-time. His many records since then (for Concord, All Art, Stash, and Chiaroscuro) attest to his impressive talents.
---Scott Yanow, All Music Guide |
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