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DVD video |
Kérjen
árajánlatot! |
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| 1. | Prequel Assawt N'chet Tamashek
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| 2. | Chet Boghassa
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| 3. | Aldechen Manin
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| 4. | Cler Achel
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| 5. | Toumast
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| 6. | Arawan
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| 7. | Imidiwan Winakalin
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| 8. | Assouf
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| 9. | Amassakoul N'tenere
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| 10. | Arghane Manine
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| 11. | Matadjem Yinimixan
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| 12. | Tismetten
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Recorded: Shepherd's Bush Empire, London December 2007
* Ibrahim: The Campfire Tales (49 mins) - An intimate and revealing fireside interview with Ibrahim 'Abaraybone' Ag Alhabib, founder of Tinariwen and inventor of the modern tamashek guitar style. Ibrahim tells how he was forced to flee from his homeland in the southern Sahara, and how years of youthful exile and wandering around Algeria and Libya eventually led to the forming of Tinariwen.
* Tinariwen And I - Interview with producer, Justin Adams (7 mins).
* How To Tie A Shesh (1 min) - The turban is the most visible outward symbol of the nomadic Kel Tamashek or Touareg people. Bassist Eyadou Ag Leche demonstrates how to tie this indispensable piece of sharan headgear.
* Tinariwen - A Mini Documentary (14 mins) - A rapid tour of Tinariwen's desert home with interviews explaining the story of the group and live footage shot on location in the southern sahara by french filmmakers Gregoire Gosset and Loic Wibaux
Tinariwen
Active Decade: '00s
Genre: World
Styles: Rock & Roll, World Fusion, Ethnic Fusion, Worldbeat, Afro-Beat, Indigenous
Tinariwen is a Tuareg group that performs in a Middle Eastern/African style similar to artists like Ali Farka Toure or Nusrat Fateh Ali Khan. All of the musicians originating from the southern Sahara, the group's name, meaning "empty places," is a reflection of their lands of origin. The band formed in the rebel camps of Colonel Ghadaffi, as each of the musicians had been forced from their nomadic lifestyle into involuntary military service. Surrounded by a displaced nation of their peers, Tinariwen forged a new style of music, trading their traditional lutes and shepherd's flutes for electric guitars and drums. The style that resulted was dubbed Tishoumaren, "the music of the unemployed." Their music addressed issues such as political awakening, problems of exile, repression of their people, and demands of sovereignty. In a region with no postal or telephone system, their tapes soon became a grassroots voice of rebellion and a rallying point for a disenfranchised nation. Though outlawed in Algeria and Mali, 2001's The Radio Tisdas Sessions and 2004's Amassakoul are available to Western audiences.
---Evan C. Gutierrez, All Music Guide |
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