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Rare Recordings 1924-1931
Bubber Miley
első megjelenés éve: 2006
(2006)

CD
4.511 Ft 

 

IMPORT!
Kosaramba teszem
1.  Down in the Mouth Blues
2.  Those Panama Mamas (Are Running Me)
3.  Get Yourself a Monkey Man
4.  Louisville Blues
5.  Believe Me, Hot Mama
6.  Temper'mental Papa
7.  Rainy Nights
8.  I've Found a New Baby
9.  Li'l Farina
10.  Immigration Blues
11.  Song of the Cotton Field
12.  Got Everything But You
13.  Yellow Dog Blues
14.  Flaming Youth
15.  Move Over
16.  The Blues with a Feelin'
17.  St. Louis Blues
18.  Medley: The Mooche/Milenberg Joys/Some of These Days
19.  What Is This Thing Called Love?
20.  Puttin' on the Ritz
21.  Happy Feet
22.  Rollin' Down the River
23.  Without That Gal!
24.  St. Louis Blues
Jazz

Bubber Miley - Cornet
Adrian Rollini - Sax (Bass)
Arthur Ray - Reed Organ
Arthur Whetsol - Trumpet
Barney Bigard - Clarinet, Sax (Tenor)
Bill Tronstein - Clarinet, Sax (Alto), Sax (Soprano), Sax (Tenor)
Burt Williams - Sax (Alto), Sax (Baritone)
Charlie Irvis - Trombone
Charlie Johnson & His Orchestra - Trumpet
Chuck Campbell - Trombone
Clarence Williams - Piano
Cyrus St. Clair - Bowed Bass
Duke Ellington - Arranger, Piano
Elmer Snowden - Banjo
Ernie Gibbs - Trombone
Eva Taylor - Vocals
Fred Guy - Banjo
Freddy Jenkins - French Horn, Trumpet
Harry Atlas - Bowed Bass
Harry Carney - Clarinet, Sax (Alto), Sax (Baritone)
Henry Edwards - Bowed Bass
Jack Shilkret - Celeste
Jake Frazier - Trombone
Jess Smith - Clarinet, Flute, Sax (Alto)
Joe Tricky Sam Nanton - Trombone
Johnny Hodges - Clarinet, Sax (Alto), Sax (Soprano)
Leo Reisman - Violin, Vocals
Leroy Harris - Banjo
Lew Conrad - Violin, Vocals
Lonnie Johnson - Guitar
Louis Hooper - Piano
Louis Martin - Sax (Alto)
Louis Metcalf - Cornet
Louis Shaffrin - Trumpet
Matty Malneck - Violin
Otto Hardwick - Clarinet, Sax (Alto), Sax (Baritone), Sax (Bass), Sax (Soprano)
Raymond Pugh - Piano
Sonny Greer - Drums
Wellman Braud - String Bass

* Bill Hebden - Audio Restoration
* Jeff Hopkins - Label Design, Liner Notes
* Paul Burgess - Label Design
* Ronnie Hutchinson - Source Material

Bubber Miley was one of the great trumpeters of the 1920s, a master of the plunger mute who largely developed the growling "jungle sound" that made Duke Ellington's early orchestra so distinctive. Miley, the predecessor of Cootie Williams with Ellington, is heard on a variety of intriguing and often-classic recordings on this CD, which covers the span of his relatively brief career. His pre-Ellington period is represented by recordings with the Texas Blue Destroyers (a duet with the spooky-sounding reed organ of Arthur Ray), the Kansas City Five, and Clarence Williams' Blue Five ("I've Found a New Baby"). The nine numbers from Miley's years with Ellington (1926-1928 plus 1924's "Rainy Nights") focus more on rarities than hits, and show that he was the band's most notable and colorful soloist. After the trumpeter was fired by Ellington due to his increasing unreliability because of alcoholism in early 1929, he became the lone black member of Leo Reisman's white society orchestra, an unusual role that worked. All of Miley's solos with Reisman are on this CD, including a classic rendition of "What Is This Thing Called Love" and a very rare medley taken from a Vitaphone film short. His early death from tuberculosis in 1932 was a real tragedy; Bubber Miley was only 29. This CD gives listeners a wide sampling of his valuable output and shows why he was one of the most unique stylists of his era.
---Scott Yanow, All Music Guide



Bubber Miley

Active Decade: '20s
Born: Apr 03, 1903 in Aiken, SC
Died: May 20, 1932 in New York, NY
Genre: Jazz
Styles: Classic Jazz

One of the great trumpeters of the 1920s, Bubber Miley was a master with the plunger mute, distorting his sound quite colorfully. He was largely responsible for Duke Ellington's early success and was the most prominent voice in Duke's Jungle Band of 1926-1928, teaming up with trombonist Tricky Sam Nanton; Cootie Williams and Ray Nance would follow in the tradition of Miley. He grew up in New York and played professionally starting in 1920. Miley was with Elmer Snowden's Washingtonians as early as 1923 and freelanced on recordings during 1924-1926. He was influenced a bit by King Oliver and Johnny Dunn, but was quite distinctive by 1926 and an innovator in his own way. Miley co-wrote "East St. Louis Toodle-oo" and "Black and Tan Fantasy" and starred on the majority of Ellington's recordings during 1926-1928. Unfortunately, he was an alcoholic and by early 1929 was becoming increasingly unreliable, leading to Ellington reluctantly firing him. Miley worked in France with Noble Sissle, played in the U.S. with society bandleader Leo Reisman (taking a memorable solo on "What Is This Thing Called Love"), and formed his own band in 1930, recording six titles. Bubber Miley played in a few shows in 1931, but died the following year of tuberculosis at the age of 29.
---Scott Yanow, All Music Guide

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