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A Chip off The Old Block
Stanley Turrentine with Shirley Scott, Blue Mitchell, Earl May & Al Harewood
amerikai
első megjelenés éve: 1994
(2009)

CD
Kérjen
árajánlatot!
TÖRÖLT!
Kosaramba teszem
1.  One O'clock Jump
2.  Midnight Blues
3.  Blues In Hoss' Flat
4.  Spring Can Really Hang You Up The Most
5.  Cherry Point
6.  One O'Clock Jump
First Version
7.  Cherry Point
First Version
Jazz

Recorded: October 14 (6-7) and October 21, 1963, Van Gekder Studio, Englewood Cliffs, New Jersey
Remastered: 2008, Rudy Van Gelder

Stanley Turrentine - tenor sax
Blue Mitchell - trumpet
Shirley Scott - organ
Charles Davis - baritone sax
Earl May - bass
Al Harewood - drums (1-5)
Ben Dixon - drums (6-7)
Tom McIntosh - trombone (6-7)

Rudy Van Gelder Edition
Digital Remaster

During the '60s, Stanley Turrentine and Shirley Scott were an inseparable team in the studio, on the bandstand, and at home as husband and wife. A Chip off the Old Block is one of the best of their many classics during this decade. This tribute to Count Basie features signature tunes by Basie, Neal Hefti, and Frank Foster, but this quintet featuring Blue Mitchell puts its own "Blue Note Sound" spin on these big band classics. Issued on CD for the first time, the Rudy Van Gelder remaster includes two bonus tracks from an aborted septet made a week earlier.



Stanley Turrentine

Active Decades: '60s, '70s, '80s and '90s
Born: Apr 05, 1934 in Pittsburgh, PA
Died: Sep 12, 2000 in New York, NY
Genre: Jazz
Styles: Soul-Jazz, Fusion, Hard Bop

A legend of the tenor saxophone, Stanley Turrentine was renowned for his distinctively thick, rippling tone, an earthy grounding in the blues, and his ability to work a groove with soul and imagination. Turrentine recorded in a wide variety of settings, but was best-known for his Blue Note soul-jazz jams of the '60s, and also underwent a popular fusion makeover in the early '70s. Born in Pittsburgh on April 5, 1934, Turrentine began his career playing with various blues and R&B bands, with a strong influence from Illinois Jacquet. He played in Lowell Fulson's band with Ray Charles from 1950-1951, and in 1953, he replaced John Coltrane in Earl Bostic's early R&Bjazz band. After a mid-'50s stint in the military, Turrentine joined Max Roach's band and subsequently met organist Shirley Scott, whom he married in 1960 and would record with frequently.
Upon moving to Philadelphia, Turrentine struck up a chemistry with another organist, Jimmy Smith, appearing on Smith's 1960 classics Back at the Chicken Shack and Midnight Special, among others. Also in 1960, Turrentine began recording as a leader for Blue Note, concentrating chiefly on small-group soul-jazz on classics like That's Where It's At, but also working with the Three Sounds (on 1961's Blue Hour) and experimenting with larger ensemble settings in the mid-'60s. As the '70s dawned, Turrentine and Scott divorced and Turrentine became a popular linchpin of Creed Taylor's new, fusion-oriented CTI label; he recorded five albums, highlighted by Sugar, Salt Song, and Don't Mess With Mister T. While those commercially accessible efforts were artistically rewarding as well, critical opinion wasn't as kind to his late-'70s work for Fantasy; still, Turrentine continued to record prolifically, and returned to his trademark soul-jazz in the '80s and '90s. Turrentine passed away on September 12, 2000, following a massive stroke.
---Steve Huey, All Music Guide
Weboldal:Blue Note Records

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