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| 1. | The Gauntlet
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| 2. | Story of Langston Suite: Movement 1 From Stuart's Draft
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| 3. | Story of Langston Suite: Movement 2 The 4th Letter
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| 4. | Story of Langston Suite: Movement 3- Dub's Lament
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| 5. | Story of Langston Suite: Movement 4 Six Years
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| 6. | Story of Langston Suite: Movement 5 Chanting for Staples
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| 7. | Story Of Langston Suite: Movements 6 & 7- Red Beard's Romp From Stuart'
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| 8. | The Syndicate
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| 9. | The Lure of the Underground
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| 10. | March of the Pariahs
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Jazz
Paul Tynan - Arranger, Producer, Trumpet, Flugelhorn, Mixing
Aaron Lington - Mixing, Arranger, Sax (Baritone), Mastering, Clarinet (Bass), Producer
Bobby Selvaggio - Sax (Alto), Saxophone, Sax (Soprano)
Dale Wolford Photography
John L. Worley, Jr. Trumpet
John Shifflett Bass
Kevin Brunkhorst Guitar
Scott Sorkin Mixing
Scott Yanow Liner Notes
Stefan Karlsson Piano
Stockton Helbing Drums
Tom Luer Sax (Tenor), Flute
Wayne Wallace Tuba, Trombone
..fresh and vibrant
---Scott Yanow
The brainchild of Nova Scotia-based trumpeter Paul Tynan and baritone saxophonist Aaron Lington from the San Francisco Bay Area, the Bicoastal Collective is a select grouping of musicians from across the U.S. and Canada, culled from friends and colleagues they met in the late '90s during their days at the University of North Texas. The set of ten original swinging and far-reaching compositions stretches the sonic possibilities of the 10-piece group to imply a big band while maintaining an organic, improvisational small group feel. Featuring pianist Stefan Karlsson and trombonist Wayne Wallace.
Originally hailing from San Francisco and Nova Scotia, the co-leaders of the newly-minted Bicoastal Collective (Paul Tynan and Aaron Lington) met in Texas and later formed a band with college acquaintances, also hailing from throughout North America. After an introductory (and outstanding) jazz waltz that sounds like a small big band is at work, the collective moves into a long series of pieces showcasing elements of sound throughout trumpeter Paul Tynan's development and career. The movements build slowly one by one, increasing in energy and in ornamentation as they go, and increasing the influence of the trumpet to the overall sound. This is where the album really starts to pick up. Bit by bit, the band adds their individual elements, growing careful grooves and solos along the way. The collection of instruments in the band gives a nice range of possible coloration to the affair, and the bandleaders make full use of that along the way with their compositions (all originals on the album). The color is there throughout, though the energy ebbs and flows a bit. There's a lot of potential in the outfit and in the concept, but there's more development to be had still. Be on the lookout for a future "Chapter Two" and see where the collective has gone. ~ Adam Greenberg, All Music Guide |
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