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Kérjen
árajánlatot! |
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| 1. | The Alternative Man
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| 2. | The Path Of Least Resistance
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| 3. | Let The Juice Loose
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| 4. | Gardiners Garden
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| 5. | Survival Of The Fittest
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| 6. | Jojo
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| 7. | The Cry In Her Eyes
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| 8. | Miles Away
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| 9. | Night Of The Falcon
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Jazz / Post-Bop
Crossover Jazz
Recorded: Jan-May 1985
Bill Evans (saxophone)
John McLaughlin, Hiram Bullock (guitar); Danny Gottlieb, Marcus Miller, Mark Egan (bass); Al Foster, Danny Gottlieb (drums); Dave Hart, Manolo Bandrena, Mitchell Fromm, Jeff Golub
The fact that Bill Evans' years as a Miles Davis sideman had so positive an effect on him is evident on The Alternative Man -- an unpredictable fusion date that, although overproduced at times, is full of spirited blowing and adventurous composing. Ranging from the reggae-influenced "The Path of Resistance" to the addictive "Let the Juice Loose!" to the angular "Jojo," Evans' material is consistently impressive. A Michael Brecker disciple but definitely his own man, Evans tends to be robust and aggressive on tenor and more reflective on soprano. Guest John McLaughlin (electric guitar) is characteristically persuasive on the poetic "Flight of the Falcon."
---Alex Henderson, AMG
Bill Evans
Genre: Jazz
Styles: Post-Bop; Crossover Jazz; Contemporary Jazz; Jazz-Funk
Born: Feb 9, 1958 in Clarendon Hills, IL
No relation to the other Bill Evans, this saxophonist has an adventurous spirit and strong improvising skills despite his utilization of a rapper on some records. Evans started on piano before switching to tenor. He moved to New York in 1978 and was with Miles Davis during most of 1981-1984. He also played with John McLaughlin's short-lived, re-formed Mahavishnu Orchestra in the mid-'80s, was with Elements from 1982 on, and has recorded as a leader for Lipstick, including with his 1990s group Petite Blonde. Subsequent solo dates include 1995's Escape, 1997's Starfish & the Moon, and 1999's Touch.
---Scott Yanow, AMG |
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