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| Jazz Contrasts [SHM-CD] [Japan version] |
| Kenny Dorham |
japán
első megjelenés éve: 1957
40 perc |
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| (2008)
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CD |
| 9.669 Ft
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| 1. | Falling in Love with Love
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| 2. | I'll Remember April
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| 3. | Larue
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| 4. | My Old Flame
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| 5. | But Beautiful
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| 6. | La Villa
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Jazz
Kenny Dorham - Trumpet, Arranger
Abbey Anna Project Assistant
Betty Glamann - Harp
Bob Shad Art Direction
Buddy Enlow - Drums
Butch Warren - Bass
Charles Davis - Sax (Baritone)
Chris Clough Project Assistant
Earle Brown Engineer
Gigi Gryce Arranger
Hank Jones Piano
Jack Higgins Engineer
Jamie Putnam Project Assistant
Jimmy Garrison Bass
Joe Tarantino Remastering
John Kraus Photography
Larissa Collins Art Direction
Mark Reilly Liner Notes
Max Roach Drums
Murray Stein Design
Nick Phillips Project Supervisor
Orrin Keepnews Liner Notes, Annotation, Producer, Reissue Producer
Oscar Pettiford Bass
Paul Bacon Design, Cover Design
Paul John Weller Cover Photo
Paul Weller Artwork, Cover Photo
Phil DeLancie Digital Remastering, Remastering
Rikka Arnold Editorial
Saul Kessler Mastering
Sonny Rollins Sax (Tenor), Saxophone
Steve Kuhn Piano
Steve Maruta Project Assistant
Steve Schapiro Photography
Stuart Kremsky Project Assistant
Zev Feldman Project Assistant
Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing.
Some of trumpeter Kenny Dorham's finest recordings were his sessions as a leader for Riverside in the '50s and fortunately all of that music has been reissued on CD. This album is a bit brief in time (41 minutes) but contains many memorable selections. Three of the songs ("Falling in Love with Love" a 12-minute version of "I'll Remember April" and the trumpeter's "La Villa") match Dorham in an all-star quintet with the great tenor Sonny Rollins, pianist Hank Jones, bassist Oscar Pettiford and drummer Max Roach. The other three numbers (of which only "My Old Flame" includes Rollins) adds a fine harp player (Betty Glauman) and focuses on Dorham's lyricism. ~ Scott Yanow, All Music Guide
Kenny Dorham
Active Decades: '40s, '50s, '60s and '70s
Born: Aug 30, 1924 in Fairfield, TX
Died: Dec 05, 1972 in New York, NY
Genre: Jazz
Styles: Bop, Hard Bop, Mainstream Jazz
Throughout his career, Kenny Dorham was almost famous for being underrated since he was consistently overshadowed by Dizzy Gillespie, Fats Navarro, Miles Davis, Clifford Brown, and Lee Morgan. Dorham was never an influential force himself but a talented bop-oriented trumpeter and an excellent composer who played in some very significant bands. In 1945, he was in the orchestras of Dizzy Gillespie and Billy Eckstine, he recorded with the Be Bop Boys in 1946, and spent short periods with Lionel Hampton and Mercer Ellington. During 1948-1949, Dorham was the trumpeter in the Charlie Parker Quintet. After some freelancing in New York in 1954, he became a member of the first version of Art Blakey's Jazz Messengers and for a short time led a group called the Jazz Prophets, which recorded on Blue Note. After Clifford Brown's death, Dorham became his replacement in the Max Roach Quintet (1956-1958) and then he led several groups of his own. He recorded several fine dates for Riverside (including a vocal album in 1958), New Jazz, and Time, but it is his Blue Note sessions of 1961-1964 that are among his finest. Dorham was an early booster of Joe Henderson (who played with his group in 1963-1964). After the mid-'60s, Kenny Dorham (who wrote some interesting reviews for Down Beat) began to fade and he died in 1972 of kidney disease. Among his many originals is one that became a standard, "Blue Bossa."
---Scott Yanow, All Music Guide |
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