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| 1. | Blue Bossa
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| 2. | La Mesha
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| 3. | Homestretch
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| 4. | Recorda Me
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| 5. | Jinrikisha
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| 6. | Out Of The Night
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Jazz / Hard Bop
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on June 3, 1963
Joe Henderson (tenor saxophone)
Kenny Dorham (trumpet); McCoy Tyner (piano); Butch Warren (bass); Pete La Roca (drums)
The Rudy Van Gelder Edition of PAGE ONE includes an essay by Bob Blumenthal.
Producer: Alfred Lion.
Reissue producer: Michael Cuscuna.
Originally released on Blue Note (84140). Includes liner notes by Kenny Dorham and Bob Blumenthal.
Digitally remastered using 24-bit technology by Rudy Van Gelder (1998, Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
The title PAGE ONE is fitting for this disc as it marks the beginning of the first chapter in the long career of tenor man Joe Henderson. And what a beginning it is; no less than Kenny Dorham, McCoy Tyner, Butch Warren, and Pete La Roca join the saxophonist for a stunning set that includes "Blue Bossa" and "Recorda Me," two works that would be forever associated with Henderson. Both are bossa novas that offer a hip alternative to the easy-listening Brazilian trend that would become popular with the masses. Henderson and Dorham make an ideal pair on these and other choice cuts like the blistering "Homestretch" and the engaging swinger "Jinrikisha." These both show the already mature compositional prowess that would become Henderson's trademark throughout his legendary career. The final blues number, "Out of the Night," features powerful work by the leader that only hints of things to come in subsequent chapters.
Joe Henderson
Active Decades: '60s, '70s, '80s and '90s
Born: Apr 24, 1937 in Lima, OH
Died: Jun 30, 2001 in San Francisco, CA
Genre: Jazz
Styles: Ballads, Soul-Jazz, Fusion, Bossa Nova, Post-Bop, Hard Bop, Mainstream Jazz
Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-'60s, Joe Henderson's signing with Verve in 1992 was treated as a major news event by the label (even though he had already recorded many memorable sessions for other companies). His Verve recordings had easy-to-market themes (tributes to Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim) and, as a result, he became a national celebrity and a constant poll winner while still sounding the same as when he was in obscurity in the 1970s.
The general feeling is that it couldn't have happened to a more deserving jazz musician. After studying at Kentucky State College and Wayne State University, Joe Henderson played locally in Detroit before spending time in the military (1960-1962). He played briefly with Jack McDuff and then gained recognition for his work with Kenny Dorham (1962-1963), a veteran bop trumpeter who championed him and helped Henderson get signed to Blue Note. Henderson appeared on many Blue Note sessions both as a leader and as a sideman, spent 1964-1966 with Horace Silver's Quintet, and during 1969-1970 was in Herbie Hancock's band. From the start, he had a very distinctive sound and style which, although influenced a bit by both Sonny Rollins and John Coltrane, also contained a lot of brand new phrases and ideas. Henderson had long been able to improvise in both inside and outside settings, from hard bop to freeform. In the 1970s, he recorded frequently for Milestone and lived in San Francisco, but was somewhat taken for granted. The second half of the 1980s found him continuing his freelancing and teaching while recording for Blue Note, but it was when he hooked up with Verve that he suddenly became famous. Virtually all of his recordings are currently in print on CD, including a massive collection of his neglected (but generally rewarding) Milestone dates. On June 30, 2001, Joe Henderson passed away due to heart failure after a long battle with emphysema.
---Scott Yanow, All Music Guide |
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