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| Joy Spring [ ÉLŐ ] |
| Joe Pass |
első megjelenés éve: 1964
42 perc |
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| (1996)
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CD |
Kérjen
árajánlatot! |
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| 1. | Joy Spring
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| 2. | Sometime Ago
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| 3. | The Night Has a Thousand Eyes
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| 4. | Relaxin' at Camarillo
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| 5. | There Is No Greater Love
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Jazz / Bop, Jazz Instrument, Guitar Jazz
Colin Bailey Drums
Jim Hughart Bass
Joe Pass Guitar
Michael Cuscuna Reissue Producer
Mike Wofford Piano
Patrick Roques Design
Pete Welding Liner Notes
Richard Bock Producer, Engineer
William Claxton Photography
Joe Pass was near the beginning of his career (after a decade of fighting drug addiction) when he recorded the live quartet session included on this CD reissue. The great guitarist was in his early prime, nine years before he started recording for Pablo. Pass is immediately recognizable on the straightahead bebop date and is supported by a fine rhythm section that includes pianist Mike Wofford, bassist Jim Hughart and drummer Colin Bailey. The group stretches out on five standards (the renditions are 6 1/2-10 1/2 minutes apiece) but never runs out of inventive ideas. Easily recommended. ~ Scott Yanow, All Music Guide
Joe Pass
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Jan 13, 1929 in New Brunswick, NJ
Died: May 23, 1994 in Los Angeles, CA
Genre: Jazz
Styles: Bop, Hard Bop, Mainstream Jazz, Standards, Jazz Instrument, Guitar Jazz
Joe Pass did the near-impossible. He was able to play up-tempo versions of bop tunes such as "Cherokee" and "How High the Moon" unaccompanied on the guitar. Unlike Stanley Jordan, Pass used conventional (but superb) technique, and his Virtuoso series on Pablo still sounds remarkable decades later.
Joe Pass had a false start in his career. He played in a few swing bands (including Tony Pastor's) before graduating from high school, and was with Charlie Barnet for a time in 1947. But after serving in the military, Pass became a drug addict, serving time in prison and essentially wasting a decade. He emerged in 1962 with a record cut at Synanon, made a bit of a stir with his For Django set, recorded several other albums for Pacific Jazz and World Pacific, and performed with Gerald Wilson, Les McCann, George Shearing, and Benny Goodman (1973).
However, in general Pass maintained a low profile in Los Angeles until he was signed by Norman Granz to his Pablo label. 1973's Virtuoso made him a star and he recorded very prolifically for Pablo, unaccompanied, with small groups, on duo albums with Ella Fitzgerald, and with such masters as Count Basie, Duke Ellington, Oscar Peterson, Milt Jackson, and Dizzy Gillespie. Pass remained very active up until his death from cancer.
---Scott Yanow, All Music Guide |
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