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Kérjen árajánlatot! |
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1. | Gimme A Holler
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2. | Go Jake
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3. | One Of These Days
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4. | Mr. Memory
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5. | Brother
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6. | Will Jesus Wash The Bloodstains From Your Hands
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7. | Keep Your Eyes Open
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8. | Pipe Down
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9. | Family
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10. | We're Not From Around Here
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11. | Dogwood Acres
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12. | Shucks
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13. | The End Of The World
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14. | Gone
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Jazz / Modern Creative; New Acoustic; Progressive Bluegrass
Recorded: September 1995 and October & November 1996, Sound Emporium, Nashville, Tennessee
Bill Frisell's Nashville evokes a distinct American regional flavor, and marks an entirely new chapter in a career which the forward-thinking musical community has applauded for its innovation and diversity. In natural succession to recordings like This Land and Have a Little Faith, Nashville provides a deeper look into Bill Frisell's long-standing fascination with Americana. As with his most recent Nonesuch recording, Quartet, it is a departure from the traditional jazz quartet, both in its instrumentation and repertoire. Recorded in the country music capital of the world with some of this country's finest musicians, Nashville features Adam Steffey (mandolin) and Ron Block (banjo), of Allison Krauss' band Union Station; Jerry Douglas (dobro), widely known for his work with artists ranging from Jerry Garcia to Hank Williams, Jr.; and Viktor Krauss (bass), a veteran of Lyle Lovett's band. Frisell originals and a few covers make up this record, including Neil Young's "One of These Days" and Skeeter Davis' 1963 hit "The End of the World," both sung by Nonesuch artist Robin Holcomb.
Frisell is commonly called the most inventive guitarist at work in the world today, and this is nowhere more evident than in Nashville, a recording that represents a genuine synthesis from an artist who has said, "It sure is nice to move around and hear the music from a different perspective."
Bill Frisell - guitar Viktor Krauss - bass Jerry Douglas - dobro Ron Block - banjo, acoustic guitar Adam Steffey - mandolin Robin Holcomb - vocals Pat Bergeson - harmonica |
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