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| For the Love of You |
| Candy Dulfer |
| első megjelenés éve: 1997 |
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| (1997)
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CD |
Kérjen
árajánlatot! |
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| 1. | Saxy Intro
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| 2. | Saxy Mood
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| 3. | Gititon
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| 4. | For the Love of You
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| 5. | Smooth
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| 6. | Give Me Some More
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| 7. | Once You Get Started
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| 8. | Bird
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| 9. | Wish You Were Here
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| 10. | Allright
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| 11. | Sunday Cool
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| 12. | Girls Should Stick Together
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Jazz
Candy Dulfer - Arranger, Producer, Sax (Alto), Saxophone, Vocals
Anthony Tolsma - Percussion
Berget Lewis - Vocal Ad-Libs, Vocals, Vocals (Background)
Caroline Dest - Vocal Ad-Libs, Vocals (Background)
David Rockefeller - Trumpet
Frans Blanker - Sax (Baritone), Sax (Tenor)
Jan Van Duikeren - Trumpet
Jerden Rietbergen - Arranger, Keyboards, Producer, Programming, Wurlitzer
Leendert Haaksma - Guitar
Michel Van Schie - Arranger, Bass, Drum Programming, Engineer, Mastering, Mixing, Producer
Peter Broekhuizen - Flute, Sax (Baritone), Sax (Tenor)
Thomas Bank - Arranger, Engineer, Keyboards, Producer, Programming
Trijntje Oosterhuis - Vocals, Vocals (Background)
* Areda Holland - Hair Stylist, Make-Up
* Carin Verbruggen - Photography
* Ed Thijssen - Hair Stylist, Make-Up
* Frans Hendrix - Engineer
* Karin Van De Knoop - Stylist
* Rob Van Bracht - Design
Dressed in a white jumpsuit, legs crossed, sandy blond hair perfectly coiffed, and sitting in a comfy tan chair with her trusty alto sax, Candy Dulfer looks perfectly angelic on the cover of her third album, For the Love of You. Some of the goofy shots on the inside sleeve cast her in the more mischievous light of her almost lookalike Jenny McCarthy, but the overall packaging -- and that dazzling smile -- caresses the eyes with femininity. But her deeper musical dimensions are decidedly masculine. Once she starts to blow, Dulfer is as aggressive, gritty, and boisterous as her primary alto inspirations, David Sanborn and Maceo Parker. She also invokes the groove intensive rock-soul flavors of Prince, who enlisted Dulfer to play on numerous projects in the early '90s (when he was still Prince) after she played on the road with Pink Floyd -- hardly a pastel-and-angora kind of pedigree. Anyone who dug Saxuality and its buoyant 1993 follow-up, Sax-A-Go-Go, knows Dulfer enters the party ready to cut loose, and won't be disappointed by the buoyant goings-on here. From the frisky jam "Saxy Mood" (on which Dulfer treats her horn as a percussive instrument) to the hypnotic, heavily looped invitation to "Gititon," For the Love of You is a big-hearted, festive affair, complete with vocal effects that simulate background conversations. "Sunday Cool" is especially rambunctious, forsaking its title notion for a 100-mph drive through a maze of Booker T.-like Hammond B-3 effects and tape loops.
---Jonathan Widran, All Music Guide
Candy Dulfer
Active Decades: '90s and '00s
Born: Sep 19, 1969 in Amsterdam, The Netherlands
Genre: Jazz
Styles: Instrumental Pop, Jazz-Pop, Contemporary Jazz, Crossover Jazz, Smooth Jazz
Alto saxophonist Candy Dulfer was brought into the limelight by Prince, who introduced her to the world via his video for "Partyman." Raised in a family heavily involved in the Dutch jazz scene, Dulfer is the daughter of Hans Dulfer, a respected jazz tenor saxophonist. Thanks to him, she listened to and studied the recordings of Sonny Rollins, Coleman Hawkins, and Dexter Gordon. He also introduced her to the stage early in life. When she was 12, she began playing in a band with Rosa King, an American expatriate who lived in Holland. Her career began by playing with brass bands but soon she was fronting her own band, Funky Stuff, who were invited to backup Madonna for part of her European tour. She began leading the band at age 15. Her appearances with Prince led to session work with Eurythmics guitarist/producer Dave Stewart, who gave Dulfer a credit on "Lily Was Here," which reached number six in the U.K. and number one on the Dutch radio charts in 1990. Recording sessions for her debut album were followed by more guest star dates with Van Morrison, Aretha Franklin, and Pink Floyd.
Her debut, Saxuality, released later in 1990 for RCA Records, was very successful in Europe and the U.S. While it was by no means a straight-ahead jazz album, her funky alto sax stylings caught on with fans of contemporary jazz at several recently launched "smooth jazz" radio stations around the U.S. Saxuality was nominated for a Grammy and certified gold for sales in excess of a half-million units worldwide. Her 1991 album Sax-a-Go-Go includes "Sunday Afternoon," a song by Prince, and also teams her up with some of her musical mentors, the JB's and the Tower of Power horns. Her other influences include Sonny Rollins and David Sanborn, and while Dulfer hasn't carved the niche for herself that Sanborn has in the jazz world, she does have a great career ahead of her as she continues to synthesize classic R&B, blues, pop, and jazz in her own unique, creative ways. In 1999, she released What Does It Take with Girls' Night Out and Right In My Soul following in 2001 and 2003 respectively.
---Richard Skelly, All Music Guide |
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