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| 7.905 Ft
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| 1. | Passarim
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| 2. | Bebel
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| 3. | Borzeguim
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| 4. | Looks Like December
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| 5. | Isabella
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| 6. | Fascinatin' Rhythm
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| 7. | Chansong
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| 8. | Samba Do Soho
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| 9. | Luiza
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| 10. | Brasil Nativo
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| 11. | Gabriela
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| 12. | Anos Dourados (Looks Like December)
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| 13. | Passarim
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Jazz
Paulo Jobim (vocals, guitar); Danilo Caymmi (vocals, flute); Ana Lantra Jobim, Elizabeth Jobim, Maucha Adnet, Paula Morelenbaum, Simone Caymmi (vocals); Jaques Morelenbaum (cello); Sebastiao Nelo (bass); Paulo Braga (drums)
Passarim is Jobim's major statement of the '80s, emerging during a time when Jobim's concerns were turning increasingly toward Planet Earth issues. The title song is one of Jobim's most haunting creations, a cry of pain about the the destruction of the Brazilian rainforest that resonates in the memory for hours. Also, by this time Jobim had resumed touring with a large group containing friends and family, and they carry a great deal of the load here, with lots of airy female backup vocals, two worthy songs by Jobim's multi-talented son Paulo and another by flutist/singer Danilo Caymmi. Recorded entirely in Rio, the record's overall sound is very different from Jobim's '60s and '70s work — denser, hazier, still grounded in the samba yet rougher in texture (as is Jobim's voice). Though not as immediately winning as the Creed Taylor-produced albums, this music repays repeated listening — particularly the extended suite from Jobim's score for the film Gabriela — and there are samples of Jobim's wry humor in "Chansong" and the bossa nova reworking of "Fascinatin' Rhythm"
---Richard S. Ginell, Courtesy All Music |
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