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| 5.143 Ft
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| 1. | Around The World
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| 2. | Big Bill
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| 3. | The Leopard
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| 4. | Hurdy Gurdy
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| 5. | Dwackdi Mun Fundalick
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| 6. | Jes Swingin'
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| 7. | In A Monastery Garden
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| 8. | You Are Too Beautiful
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Jazz
Recorded in New York City, 1964
Ted Curson (tp)
Bill Barron (ts)
Kenny Barron (p), Ronnie Boykins (b), Dick Berk (d)
Bill Barron
Active Decades: '60s, '70s and '80s
Born: Mar 27, 1927 in Philadelphia, PA
Died: Sep 21, 1989 in Middletown, CT
Genre: Jazz
Styles: Post-Bop, Hard Bop
Bill Barron was an advanced and adventurous tenor saxophonist (doubling on soprano) who never compromised his music or received much recognition. He spent his formative years and beyond in Philadelphia, not moving to New York until 1958. Barron first came to the jazz world's attention through his participation on a Cecil Taylor date in 1959. After recording with Philly Joe Jones, Barron co-led a fine post-bop quartet with Ted Curson. However, Barron spent much of the remainder of his career as an educator, directing a jazz workshop at the Children's Museum in Brooklyn, teaching at City College of New York, and becoming the chairman of the music department at Wesleyan University. His "day job" made it possible for him to consistently record non-commercial music for Savoy (in 1972 he made that label's last jazz record), Dauntless, and Muse. Every one of Bill Barron's recordings as a leader uses brother Kenny Barron (16 years his junior) on piano.
---Scott Yanow, All Music Guide
Ted Curson
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Jun 03, 1935 in Philadelphia, PA
Genre: Jazz
Styles: Avant-Garde, Post-Bop, Hard Bop, Avant-Garde Jazz
An excellent and flexible trumpeter, Ted Curson will always be best-known for his work with Charles Mingus' 1960 quartet (which also included Eric Dolphy and Dannie Richmond). He studied at Granoff Musical Conservatory; moved to New York in 1956; played in New York with Mal Waldron, Red Garland, and Philly Joe Jones; and recorded with Cecil Taylor (1961). After the 1959-1960 Mingus association (which resulted in some classic recordings), Curson co-led a quintet with Bill Barron (1960-1965), played with Max Roach, and led his own groups. He spent time from the late '60s on in Europe (particularly Denmark) but has had a lower profile than one would expect since his return to the U.S. in 1976. Ted Curson has led sessions for Old Town (1961), Prestige, Fontana, Atlantic, Arista, Inner City, Interplay, Chiaroscuro, and several European labels, but has barely been on records at all since
---Scott Yanow, All Music Guide |
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