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CD |
| 3.566 Ft
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| 1. | I Really Samba
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| 2. | Go On
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| 3. | Little Rose
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| 4. | Malaga
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| 5. | A Woman
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| 6. | My Heart And I
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| 7. | You Do Something To Me
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| 8. | Unhappy Remark
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| 9. | Ave Maria On The Hill
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| 10. | Sampa
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| 11. | Smiled At Me
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| 12. | I Wish You Love
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Jazz
Joao Gilberto's rolein the appearance of Bossa Nova in Brazil in the late 1950's and its popularization around the world was seminal and essential. His fresh way of hearing and understanding the history of Brazilian popular music crystallized the modernizing desires of a generation of musicians. The more Brazilian popular music crystallized the modernizing desires of a generation of musicians. The more records Joao makes the more clearly we can see how original his vision was. Having grown accustomed to his abstractions, contractions and inferences, we can begin to appreciate the lushness, the thickets of rhythm that populate his silences.
Joao's choice of songs to sing is always telling. His knowledge is vast but he doesn't invest in the obscure for it's own sake. He doesn't illuminate a song's hidden side as much as he brings more light to bear on what is already clear. Nor is he above choosing a song to make a point, but his renditions are in themselves devoid of polemical sentiment. Once again in his restraint he is most devastating. |
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