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| Ultimate Billie Holiday |
| Billie Holiday |
| első megjelenés éve: 1956 |
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| (1997)
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CD |
Kérjen
árajánlatot! |
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| 1. | Lover, Come Back To Me
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| 2. | Good Morning Heartache
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| 3. | Body And Soul
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| 4. | I Can't Face The Music
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| 5. | Solitude
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| 6. | I Cried For You
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| 7. | My Man (Mon Homme)
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| 8. | I Must Have That Man!
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| 9. | He's Funny That Way
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| 10. | Please Don't Talk About Me When I'm Gone
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| 11. | Don't Explain
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| 12. | Strange Fruit
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| 13. | God Bless The Child
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| 14. | Some Other Spring
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| 15. | Fine And Mellow
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| 16. | Lady Sings The Blues
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Jazz / Vocal, Vocal Jazz
Recorded between 1945 and 1956
Billie Holiday (vocals)
Willie Smith, Benny Carter (alto saxophone); Paul Quinichette, Wardell Gray, Coleman Hawkins, Al Cohn (tenor saxophone); Joe Newman, Charlie Shavers, Howard McGhee, Harry "Sweets" Edison, Roy Eldridge, Buck Clayton (trumpet); Tony Scott (clarinet); Oscar Peterson, Wynton Kelly, Carl Drinkard, Jimmie Rowles (piano); Freddie Green, Kenny Burrell, Barney Kessel (guitar); Ray Brown, Aaron Bell, Charles Mingus, Red Mitchell, John Simmons, Carson Smith (bass); Gus Johnson, Lennie McBrowne, Davie Coleman, Alvin Stoller, Elaine Leighton, Larry Bunker, Chico Hamilton (drums)
An observer would say that if there is one thing that Shirley Horn learned from Billie Holiday, it was her pioneering use of slow tempos. By the Forties, Holiday was singing nearly all of her love songs at crawl-speed. This unique means of keeping an audience spellbound, making them hang on every word, every note, every nuance, has become one of Horn's trademarks.
But what Horn herself says she admires most about Holiday is much more fundamental. The whole idea of song as a means of telling a story, of "painting a picture," as Horn says, really originates with Holiday. On top of that there's Holiday's musicality, her choice of songs, her expressiveness, and her use of drama- all of which had an impact on Horn's work. And also like Holiday, Horn can swing at all tempos, even at those snail's paces.
Includes liner notes by Shirley Horn and Will Friedwald |
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