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| You Won't Forget Me |
| Shirley Horn |
| első megjelenés éve: 1990 |
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| (1990)
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CD |
| 4.270 Ft
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| 1. | Music That Makes Me Dance
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| 2. | Come Dance With Me
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| 3. | Don't Let The Sun Catch You Cryin'
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| 4. | Beautiful Love
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| 5. | Come Back To Me
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| 6. | Too Late Now
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| 7. | I Just Found Out About Love
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| 8. | It Had To Be You
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| 9. | Soothe Me
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| 10. | Foolin' Myself
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| 11. | If You Go
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| 12. | You Stepped Out Of A Dream
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| 13. | You Won't Forget Me
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| 14. | All My Tomorrows
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Jazz
Digitally recorded using the Mitsubishi X850 Clinton Recording Studios, New York, on June 12 and 14 and August 11, 12, and 13, 1990.
Shirley Horn Vocal, Piano
Charles Ables (1-3, 6-8, 11, 13, 14) Bass
Steve Williams (1-3, 6-7, 9-10, 12-14) Drums
Miles Davis (13) Trumpet
Buck Hill (10) Tenor Saxophone
Branford Marsalis (8) Tenor Saxophone
Wynton Marsalis (3) Trumpet
Toots Thielemans (4) Guitar, Harmonica
Buster Williams (5, 10, 12) Bass
Billy Hart (5, 10, 12) Drums
Toots Thielemans (9) Harmonica
The skill Shirley Horn brings to her singing, her piano playing, her arrangements and to the overall form of this recording makes it one of the documents that will assuredly take a first class place in the history of jazz. That is no small claim, but there is no other way to describe what this artist has achieved here, not only as an individual but as a bandleader. This is not just another recording on which a talented singer is featured in a trio setting or with a guest instrumentalist of one sort or another on a select number of tracks. Horn has an entire musical vision, and that vision has been brought to bear for what amounts to a single statement of superbly aligned and contrasting parts. It is a pinnacle for her and both an affirmation and an enrichment of the very qualities that distinguish her idiom from all others.
Shirley Horn focuses on romantic love songs on this third release for the Verve label. In addition to her powerful rhythm section (Charles Ables on bass, Steve Williams on drums) this release features guest appearances by some of jazz's luminaries: Miles Davis (long a champion of Horn's music), Wynton and Branford Marsalis, and Toots Thielmans.
Interestingly, Horn rarely takes a solo, but repeats the songs over and over, slightly changing the phrasing and continuously building on the piano to change the emphasis. Every cut is a masterpiece, but the stand out is the title cut. Drummer SteveWilliams sets up a strange, repetitive quarter note patternwhich sounds like a ticking clock over which Miles Davis' muted trumpet floats and soars as Horn sings and plays piano.The track is especially poignant, as it was one of Davis' last appearances on record. The effect is nothing short of breathtaking. This album is a wonderful jazz treasure. |
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