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| Legends of Acid Jazz - Houston Person |
| Houston Person |
első megjelenés éve: 1971
78 perc |
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| (1996)
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CD |
| 3.726 Ft
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| 1. | Son of Man
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| 2. | Teardrops
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| 3. | (They Long to Be) Close to You
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| 4. | Drown in My Own Tears
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| 5. | Up at Joe's, Down at Jim's
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| 6. | Yester-Me, Yester-You, Yesterday
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| 7. | Young, Gifted and Black
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| 8. | The Houston Express
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| 9. | Enjoy
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| 10. | Give More Power to the People (For God's Sake)
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| 11. | Chains of Love
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| 12. | Just My Imagination (Running Away With Me)
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| 13. | Lift Every Voice and Sing
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Jazz
Hard Bop
Soul-Jazz
Recorded: Oct 12, 1970-Apr 9, 1971
Houston Person, Cecil Bridgewater, Garnett Brown, Billy Butler, Buddy Caldwell, Babe Clarke, Grant Green, Paul Griffin, Ernie Hayes, Jack Jeffers, Gerry Jemmott, Harold Johnson, Thad Jones, Virgil Jones, Jimmy Lewis, Idris Muhammad, Sonny Phillips, Bernard Purdie, Ernie Royal, Harold Vick, Jimmy Watson
Houston Person was among the guttiest of the gutbucket saxophonists of the soul-jazz golden age -- for proof, look no further than Legends of Acid Jazz: Houston Person, which compiles two of the saxman's most popular releases, Person to Person! and Houston Express (both originally released in 1970). Express featured the "funkmaster general" of the tenor saxophone with a tight, pocket-sized ensemble (including guitarist Grant Green and drummer Idris Muhammad), while, on Person!, his supporting ensemble expanded to include trumpet players Cecil Bridgewater and Thad Jones, guitarist Billy Butler and another kindred spirit and prince of funk on his instrument, Motown bassist Gerry Jemmott.
Legends of Acid Jazz: Houston Person provides a high-voltage cover version extravaganza, including "(For God's Sake) Give More Power to the People" (the Chi-Lites), "Close to You" (the Carpenters), "Yester-Me, Yester-You, Yester-Day" (Stevie Wonder), "Young, Gifted and Black" (Aretha Franklin), "Just My Imagination" (the Temptations), and "Lift Every Voice and Sing," which Person describes in his liner notes as the "black national anthem." Person and friends turn every one of these, and others such as his own "Up at Joe's, Down at Jim's" and his trademark "The Houston Express" into stinging, swinging, original-sounding opuses of funk.
---Chris Slawecki, allmusic |
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