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Kérjen
árajánlatot! |
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| 1. | The Old Country
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| 2. | Chordnation
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| 3. | The Folks Who Live on the Hill
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| 4. | Tadd
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| 5. | You Leave Me Breathless
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| 6. | Night After Night
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| 7. | E.S.P.
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| 8. | That's Right!
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Jazz / Soul-Jazz; Hard Bop
Recorded: Aug 9, Sep 15, 1960
Nat Adderley
Julian "Cannonball" Adderley, Yusef Lateef, Jimmy Heath, Charlie Rouse, Tate Houston, Wynton Kelly, Jim Hall, Les Spann, Sam Jones, Jimmy Cobb
Nat Adderley has seldom played with more fire, verve and distinction than he did on That's Right! It placed him in the company of an expanded sax section that included his brother Cannonball on alto, Yusef Lateef on tenor, flute and oboe, Jimmy Heath and Charlie Rouse on tenor and baritone saxophonist Tate Houston. Solos crackled, the backing was tasty and stimulating, and the eight songs ranged from brisk standards to delightful originals. This CD reissue, despite lacking any new or alternate material, is most welcome due to the full, striking sound that the big reed section provided.
---Ron Wynn, AMG
Nat Adderley
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Nov 25, 1931 in Tampa, FL
Died: Jan 02, 2000 in Lakeland, FL
Genre: Jazz
Styles: Soul-Jazz, Hard Bop
Nat Adderley's cornet (which in its early days was strongly influenced by Miles Davis) was always a complementary voice to his brother Cannonball in their popular quintet. His career ran parallel to his older brother for quite some time. Nat took up trumpet in 1946, switched to cornet in 1950, and spent time in the military, playing in an Army band during 1951-1953. After a period with Lionel Hampton (1954-1955), Nat made his recording debut in 1955, joined Cannonball's unsuccessful quintet of 1956-1957, and then spent periods with the groups of J.J. Johnson and Woody Herman before hooking up with Cannonball again in October 1959. This time the group became a major success and Nat remained in the quintet until Cannonball's death in 1975, contributing such originals as "Work Song," "Jive Samba," and "The Old Country" along with many exciting hard bop solos. Nat Adderley, who was at the peak of his powers in the early to mid-'60s and became adept at playing solos that dipped into the subtone register of his horn, led his own quintets after Cannonball's death; his most notable sidemen were altoists Sonny Fortune (in the early '80s) and Vincent Herring. Although his own playing declined somewhat -- Adderley's chops no longer had the endurance of his earlier days -- Nat continued recording worthwhile sessions in the years prior to his death on January 2, 2000. Many but not all of his recordings through the years are currently available (for such labels as Savoy, EmArcy, Riverside, Jazzland, Atlantic, Milestone, A&M, Capitol, Prestige, SteepleChase, Galaxy, Theresa, In & Out, Landmark, Evidence, Enja, Timeless, Jazz Challenge, and Chiaroscuro).
---Scott Yanow, All Music Guide |
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