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| 3.651 Ft
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| 1. | Falling in Love With Love
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| 2. | I Should Care
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| 3. | South-Central
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| 4. | I Want to Talk About You
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| 5. | In a Mellow Tone
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| 6. | Conjunction Mars
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| 7. | Fool That I Am
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| 8. | Splanky
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| 9. | O Holy Night
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Jazz
Hank Crawford - Horn Arrangements, Sax (Alto), String Arrangements
Alan Rubin - Trumpet
Bernard "Pretty" Purdie - Drums
Dr. John - Piano
George Caldwell
Gloria Coleman - Organ
Grady Tate - Drums
Howard Johnson - Sax (Baritone), Tuba
Lew Soloff
Lou Marini - Sax (Tenor)
Melvin Sparks - Guitar
Peter Martin Weiss - Bass
Peter Weiss - Bass
Stan Hope - Piano
Wilbur Bascomb, Jr. - Bass
* Bob Porter - Producer
* David Ritz - Liner Notes
* Frank Lindner - Photography
* George Horn - Mastering
* Jamie Putnam - Design
* Malcolm Addey - Engineer
* Phil Carroll - Artwork
All of the songs on this set except for the closing "Holy Night" (which was left over from a 1990 session) are from 1992. Altoist Hank Crawford is heard at his best on the ballads where he really caresses the melodies, giving them a great deal of soul and heartfelt feeling. Joined by guitarist Melvin Sparks, pianist Stan Hope, bassist Peter Martin Weiss and drummer Grady Tate (with an occasional hint of strings), Crawford digs into such songs as "I Should Care," "I Want To Talk About You," and "Fool That I Am," finding time to swing "In A Mellotone" and "Splanky." His alto playing is at its most vocal throughout this passionate yet tasteful set, which will be easily enjoyed by his many fans.
---Scott Yanow, All Music Guide
Hank Crawford
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Dec 21, 1934 in Memphis, TN
Genre: Jazz
Styles: Crossover Jazz, Hard Bop, Jazz-Funk, R&B, Soul-Jazz
With an unmistakable blues wail, full of emotion and poignancy, altoist Hank Crawford bridges the gap between that tradition and that of jazz more completely than any other living horn player. Born in Memphis, Crawford was steeped in the blues tradition from an early age. He began playing piano but switched to alto when his father brought one home from the army. He claims his early influences as Louis Jordan, Earl Bostic, and Johnny Hodges. Crawford hung out with Phineas Newborn, Jr., Booker Little, and George Coleman in high school. Upon graduating, Crawford played in bands fronted by Ike Turner, B.B. King, Junior Parker, and Bobby "Blue" Bland at Memphis' Palace Theater and Club Paradise. In 1958 Crawford went to college in Nashville where he met Ray Charles. Charles hired Crawford originally as a baritone saxophonist. Crawford switched to alto in 1959 and remained with Charles' band -- becoming its musical director -- until 1963. The phrasing and voicings he learned there proved invaluable to him as the hallmark of his own sound. He also wrote and arranged a tune for Charles. The cut, "Sherry," his first for the band, was put on the Live at Newport album. Crawford cut a slew solo albums for Atlantic while with the band, and when he formed his group, he remained with the label until 1970. He signed with Creed Taylor's Kudu in 1971 and cut a series of fusion-y groove jazz dates through 1982. In 1983 he moved to Milestone and returned to form as a premier arranger, soloist, and composer, writing for small bands -- that included guitarist Melvin Sparks, organist Jimmy McGriff, and Dr. John -- as well as large. Crawford has been constantly active since then, as a leader and sideman, recording the best music of his long career.
---Thom Jurek, All Music Guide |
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