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| 6.033 Ft
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| 1. | Dirty Butt Blues
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| 2. | Feelings
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| 3. | One for the Count
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| 4. | My Ideal
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| 5. | Simly Sweets
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| 6. | Opus Funk
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| 7. | Lax
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| 8. | Miz Kitty's Blues
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Jazz / Mainstream Jazz
Harry "Sweets" Edison - Trumpet
Eddie "Lockjaw" Davis - Sax (Tenor)
Dolo Coker - Piano
Harvey Newmark - Bass
Jimmie Smith - Drums
Benny Green - Liner Notes
Joe Tarantino - Remastering
Norman Granz - Producer
Phil Carroll - Art Direction
Phil Stern - Photography
Val Valentin - Engineer
Trumpeter Harry "Sweets" Edison and tenor saxophonist Eddie "Lockjaw" Davis always made a potent pair. They both possessed immediately identifiable sounds, were veterans of Count Basie's Orchestra and never had any difficulty swinging. The repertoire of this Edison album is not too creative with five blues among its eight songs and one of the others, "Feelings," being quite forgettable. However, the playing of the principals (along with pianist Dolo Coker who also makes a couple of surprising appearances on electric keyboard) holds one's interest throughout. ~ Scott Yanow, All Music Guide
Harry "Sweets" Edison
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Oct 10, 1915 in Columbus, OH
Died: Jul 27, 1999
Genre: Jazz
Styles: Swing, Mainstream Jazz
Harry "Sweets" Edison got the most mileage out of a single note, like his former boss Count Basie. Edison, immediately recognizable within a note or two, long used repetition and simplicity to his advantage while always swinging. He played in local bands in Columbus and then in 1933 joined the Jeter-Pillars Orchestra. After a couple years in St. Louis, Edison moved to New York where he joined Lucky Millinder and then in June 1938, Count Basie, remaining with that classic orchestra until it broke up in 1950. During that period, he was featured on many records, appeared in the 1944 short Jammin' the Blues and gained his nickname "Sweets" (due to his tone) from Lester Young. In the 1950s, Edison toured with Jazz at the Philharmonic, settled in Los Angeles, and was well-featured both as a studio musician (most noticeably on Frank Sinatra records) and on jazz dates. He had several reunions with Count Basie in the 1960s and by the '70s was often teamed with Eddie "Lockjaw" Davis; Edison also recorded an excellent duet album for Pablo with Oscar Peterson. One of the few swing trumpeters to be influenced by Dizzy Gillespie, Sweets led sessions through the years for Pacific Jazz, Verve, Roulette, Riverside, Vee-Jay, Liberty, Sue, Black & Blue, Pablo, Storyville, and Candid among others. Although his playing faded during the 1980s and '90s, Edison could still say more with one note than nearly anyone; he died July 27, 1999, at age 83.
---Scott Yanow, All Music Guide |
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