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Kérjen
árajánlatot! |
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| 1. | All Mornin' Long
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| 2. | They Can't Take That Away from Me
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| 3. | Our Delight
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Jazz / Hard Bop
Recorded: Nov 15, 1957, Van Gelder Studio, Hackensack, New Jersey
Red Garland - piano
John Coltrane - tenor saxophone
Donald Byrd - trumpet
George Joyner - bass
Art Taylor - drums
Some groups have existed only in the recording studio but have produced music of lasting value. This quintet, under Red Garland's leadership, actually did play some gigs around New York in the fall of 1957, but even if it hadn't, the rapport in the studio would still have been powerful.
Beginning with the association of Garland and John Coltrane in the Miles Davis Quintet and continuing with Arthur Taylor's trio connection with Garland, and Donald Byrd's having worked with all of them in one form or another, there was enough of a common spirit in the musical attitudes of all the participants. The title blues spans an entire side; the overleaf is shared by Gershwin's "They Can't Take That Away from Me" and Dameron's "Our Delight."
Includes liner notes by Ira Gitler.
Red Garland
Active Decades: '50s, '60s, '70s and '80s
Born: May 13, 1923 in Dallas, TX
Died: Apr 23, 1984 in Dallas, TX
Genre: Jazz
Styles: Hard Bop
Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again.
---Scott Yanow, All Music Guide |
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