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Kérjen árajánlatot! |
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1. | Yardbird Suite
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2. | There Will Never Be Another You
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3. | Bow Jest
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4. | Sweet Sue
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5. | Up Blues
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6. | Like Someone in Love
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7. | Love Is Just Around the Corner
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8. | Thou Swell [*]
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9. | The Awful Truth [*]
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Jazz
Recorded at Contemporary's studio, Los Angeles, California on January 27, 1958. Digitally remastered by Joe Tarantino (1988, Fantasy Studios, Berkeley, California)
Barney Kessel - Guitar Hampton Hawes - Piano Red Mitchell - Bass Shelly Manne - Drums
Though much later in his career Hampton Hawes experimented with electronic keyboards and fusion music, at heart he was a bebopper, as this session makes abundantly clear. With material like Charlie Parker's "Yardbird Suite," his own "Up Blues," and Red Mitchell's "Bow Jest" (on which Mitchell plays his first recorded bowed solo), Hawes is at a creative peak here. Barney Kessel, who played on the date, paid tribute to Hawes's "inexhaustible ideas on the blues. . . no one else in modern jazz plays the blues better." And nobody could tie a rhythm section together better than Shelly Manne, the fourth party in this boundingly energetic "Four!"
Originally released on Contemporary (7553)
* Joe Tarantino - Mastering * Lester Koenig - Producer * Nat Hentoff - Liner Notes * Richard Gross - Cover Photo * Roy DuNann - Engineer
Pianist Hampton Hawes' 1950s recordings for the Contemporary label are at such a high level that they could all be given five stars. This outing with bassist Red Mitchell, drummer Shelly Manne, and guitarist Barney Kessel (who is a slight wild card) is also quite successful. Two previously unreleased numbers ("Thou Swell" and "The Awful Truth") have been added to the CD reissue. Highlights of the exciting bop date include "Yardbird Suite," "There Will Never Be Another You," and "Love Is Just Around the Corner." ---Scott Yanow, All Music Guide |
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