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| 3.726 Ft
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| 1. | Have You Met Miss Jones?
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| 2. | Oleo
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| 3. | Lover Man
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| 4. | Ł5 Blues
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| 5. | Come Rain or Come Shine
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| 6. | Quiet Nights of Quiet Stars
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| 7. | Tricrotism
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| 8. | Old Folks
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| 9. | Yardbird Suite
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| 10. | In Your Own Sweet Way
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Jazz
Louis Armstrong may not have been the first to use "chops" to refer to a musician's embouchure. He does seem to deserve credit for transmuting it to mean technical ability, as in his celebrated description of a jam session: "Chops was flyin' everywhere". Like so many terms originated by jazz musicians, the word has worked its way into the general language. A reviewer, for instance, describes an actor who delivers an inspired performance as having his chops up. Taking it back a step, Joe Pass and Niels-Henning Orsted Pedersen in this album give a living demonstration of the Armstrong definition. No two more technically gifted musicians have ever worked together. But in jazz, as Louis proved all his life, technique alone does not suffice. With Pass and NHOP, chops are only means to the expression of ends. Like swing, and heart, and soul.
The word "chops" is a major understatement when describing the talents of guitarist Joe Pass and bassist Niels-Henning Orsted Pedersen. Their duo Pablo date (which has been reissued as a CD in the OJC series) is as exciting and full of inventive interplay as one would hope. Pass and Pedersen play an ad-lib blues, nine jazz standards including a three-quarters version of "Lover Man," plus "Oleo," "Quiet Nights," "Tricrotism," and "Yardbird Suite." Pass in particular sounds stimulated during this session and comes up with some of his hottest playing.
--- Scott Yanow, All Music Guide |
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CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
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