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| 2.893 Ft
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| 1. | Sararar
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| 2. | From the Lonely Afternoon
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| 3. | Niura Is Coming Back
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| 4. | Once I Ran Away
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| 5. | Carry On
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| 6. | Love Lock
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| 7. | Corine
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| 8. | Island in the Sun (Interlude)
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| 9. | Beijo Partido (Broken Kisses)
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| 10. | Freeway Jam
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Jazz
David Amaro - Bagpipes, Electric Guitar, Soloist
Michael Azevedo - Conga, Musician
Garth Cartwright - Liner Notes
Peter Chaikin - Engineer
Leon "Ndugu" Chancler - Bass, Drums, Hi Hat
Stanley Clarke - Producer
Lynn Davis - Background Vocals, Finger Snaps
Laudir de Oliveira - Conga
Raul de Souza - Trombone
George Duke - Synthesizer, Piano, Arranger, Keyboards, Vocals, Moog Synthesizer, Producer, Arp, Prophet Synthesizer, Fender Rhodes, Oberheim, Musician, Yamaha Keyboards
Sheila Escovedo - Percussion, Timbales, Finger Snaps, Wood Block
Joe Farrell - Flute, Soprano Sax
Hugo Fattoruso - Synthesizer, Keyboards, Arp Odyssey
Fred Fleck - Drums, Talking Drum
Ronnie Foster - Keyboards, Musician, Yamaha Keyboards
Gary Buho Gazaway - Flugelhorn
Elliot Gilbert - Photography
Jerry Hey - Trumpet
Josie James - Background Vocals
Al Jarreau - Vocals
Keith Jones - Bass
Ricky Lawson - Drums
Bobby Lyle - Synthesizer, Piano, Keyboards, Musician, Yamaha Keyboards
Byron Miller - Bass
Airto Moreira - Percussion, Drums, Tambourine, Triangle, Guica, Shaker, Cowbell, Wood Block, Squeezebox, Bell Tree
David Myles - Guitar, Electric Guitar
Greg Phillinganes Synthesizer, Melodica, Musician, Yamaha Keyboards
Flora Purim - Arranger, Vocals, Finger Snaps
Bill Reichenbach Jr. - Trombone
Michael Sembello - Guitar, Guitar Arrangements, Guitar Effects
Peter Whorf - Art Direction
Larry Williams - Flute, Piccolo, Alto Sax
Flora Purim
Active Decades: '70s, '80s, '90s and '00s
Born: Mar 06, 1942 in Rio de Janeiro, Brazil
Genre: Latin; Jazz
Styles: Brazilian Jazz, Fusion, Latin Jazz, Vocal Jazz
Influenced by both traditional Brazilian singers and the improvisations of American jazz divas like Ella Fitzgerald and Sarah Vaughan, Flora Purim was one of the most adventurous singers of the 1970s. After meeting and marrying her husband, percussionist Airto Moreira, in their native Brazil, Purim moved with him to the U.S. in the late '60s. Though she worked with Stan Getz and pianist Duke Pearson before the decade ended, it wasn't until joining Chick Corea, Joe Farrell, Stanley Clarke, and Moreira in the original Return to Forever in 1972 that she became well known in the States. Purim showed considerable promise on Forever classics like "500 Miles High" and "Light As a Feather" and lived up to it when she went solo with 1973's Butterfly Dreams. Ranging from superb to passably decent, Purim's Milestone dates of the mid- to late '70s kept her quite visible in the jazz world. Purim's work grew erratic and uneven in the 1980s, and she wasn't recording as often (though she did provide one album for Virgin and three with Moreira for Concord's Crossover label). Purim didn't record very often in the early to mid-'90s either, but she continued to be highly regarded in Brazilian jazz circles.
---Alex Henderson, All Music Guide |
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