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| 1. | Tenor Madness
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| 2. | When Your Lover Has Gone
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| 3. | Paul's Pal
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| 4. | My Reverie
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| 5. | Most Beautfiul Girl in the World
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Jazz
Hard Bop
Recorded: May 24, 1956, Van Gelder Studio, Hackensack, New Jersey
Sonny Rollins Quartet
Sonny Rollins (tenor saxophone)
Red Garland (piano)
Paul Chambers (bass)
Philly Joe Jones (drums)
Additional personnel:
John Coltrane (tenor saxophone)
When Sonny met Trane on May 24, 1956, they ignited in one of the most celebrated tenor saxophone encounters in jazz. Sonny Rollins was recording with the Miles Davis rhythm section, so it made sense to have Miles's tenor player, John Coltrane, sit in for a tune. A simple blues riff led Rollins and Coltrane into a succession of solos and exchanges that largely defined the state of jazz tenor saxophone in the mid-Fifties. Their playing set a standard that has been a benchmark of excellence for saxophonists - and others - ever since. "Tenor Madness" attracted the most attention, but Rollins's inventiveness on another original composition and three standard songs confirms why, at age 26, he was considered a master of thematic improvisation and a major new star on his instrument.
* Bob Weinstock - Supervisor
* Chris Clough - Project Assistant
* Ira Gitler - Liner Notes
* Nick Phillips - Reissue Producer
* Rikka Arnold - Project Assistant
* Rudy Van Gelder - Author, Engineer, Remastering
* Stuart Kremsky - Reissue Production Assistance
* Terri Hinte - Project Assistan
At a time when he was a member of the legendary Clifford Brown/Max Roach sextet, Sonny Rollins was still the apple fallen not too far from the tree of Miles Davis. Tenor Madness was the recording that, once and for all, established Newk as one of the premier tenor saxophonists, an accolade that in retrospect, has continued through six full decades. This straight reissue, an RVG Remasters Edition of the original album (clocking in at a scant 35 minutes with no bonus tracks) gives an indication why a young Rollins was so well liked, as his fluency, whimsical nature, and solid construct of melodies and solos gave him the title of the next Coleman Hawkins or Lester Young of mainstream jazz. With the team of pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones, staples of that era's Miles Davis combos, Rollins has all the rhythmic ammunition to cut loose, be free, and extrapolate on themes as only he could, and still can. This is most evident on his version of "The Most Beautiful Girl in the World," started in its normal choppy waltz time, followed by a sax/drums prelude, a drum solo from Jones, and steamed from there on in, a hot 4/4 romp. Garland is particularly outstanding for keeping up the pace, depth and placement on this one. A bluesy version of "When Your Lover Has Gone," again enlivened by Jones, and the legendary title track with Rollins and John Coltrane trading long solos, and fours with Jones, are tunes that in the mid-'50s defined the parlance "blowing session." "Paul's Pal," in tribute to Chambers, has become a standard in its own right with a bright, memorable melody showing the good humor of Rollins, especially on the second time through, while the saxophonist's ability to sing vocal like tones through his horn is no better evinced as during the light ballad "My Reverie." A recording that should stand proudly alongside Saxophone Colossus as some of the best work of Sonny Rollins in his early years, it's also a testament to the validity, vibrancy, and depth of modern jazz in the post-World War era. It belongs on everybody's shelf. [An RVG Remastered Edition was released in 2008.]
--- Michael G. Nastos, All Music Guide |
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