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| Fourmost - Recorded Live at Fat Tuesday's NYC [ ÉLŐ ] |
| Jimmy Smith |
| első megjelenés éve: 1991 |
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CD |
Kérjen
árajánlatot! |
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1 Midnight Special
Drums – Grady Tate
Guitar – Kenny Burrell
Organ – Jimmy Smith
Tenor Saxophone – Stanley Turrentine
6:42
2 Main Stem
Drums – Grady Tate
Guitar – Kenny Burrell
Organ – Jimmy Smith
Tenor Saxophone – Stanley Turrentine
6:42
3 Summertime
Drums – Grady Tate
Guitar – Kenny Burrell
Organ – Jimmy Smith
Tenor Saxophone – Stanley Turrentine
8:11
4 Things Ain't What They Used To Be
Drums – Grady Tate
Guitar – Kenny Burrell
Organ – Jimmy Smith
Tenor Saxophone – Stanley Turrentine
6:18
5 Soulful Brothers
Drums – Grady Tate
Guitar – Kenny Burrell
Organ – Jimmy Smith
Tenor Saxophone – Stanley Turrentine
10:10
6 My Funny Valentine
Drums, Vocals – Grady Tate
Guitar – Kenny Burrell
Organ – Jimmy Smith
Tenor Saxophone – Stanley Turrentine
5:45
7 Quiet Nights Of Quiet Stars
Drums – Grady Tate
Guitar – Kenny Burrell
Organ – Jimmy Smith
Tenor Saxophone – Stanley Turrentine
10:51
FOURMOST captures the collaborative efforts of drummer Grady Tate, tenor saxman Stanley Turrentine, long-time Smith guitarist Kenny Burrell and the master organist himself, as they groove through a sizzling live set. Recorded in 1990 at Fat Tuesday's in New York City, the show overflows with the kind of evocative, free-flowing yet tightly disciplined artistry one has come to expect from Smith. The soul that drips off tracks like "Midnight Special" and Burrell's own "Soulful Brothers," as filtered through Smith's mind-bending hand/foot work at the Hammond, Turrentine's pure, personal tone, and Burrell's swinging melodic lines, is enough to make a convert of just about anyone.
Even tired standards such as "Summertime" and "My Funny Valentine," as well as the two Ellington treatments ("Main Stem" and "Things Ain't What They Used To Be"), are resuscitated with new tempos, moods, and above all, blazing leads all around. The record's highlight may be "Quiet Night of Quiet Stars," a textured bossa nova jam that has Smith shouting "Oh, my God!" by the tune's end. With playing like this, there's a good chance listeners will be echoing Smith's sentiments.
Recorded live at Fat Tuesday's, New York, New York on November 16 & 17, 1990. Includes liner notes by Bill Cosby, Andrew Whist and Steve Blickstein. |
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