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| 4.017 Ft
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| 1. | BOSSA ANTIGUA
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| 2. | THE NIGHT HAS A THOUSAND EYES
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| 3. | O GATO
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| 4. | SAMBA CANTINA
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| 5. | CURACAO DOLOROSO
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| 6. | SHIP WITHOUT A SAIL
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| 7. | ALIANCA
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| 8. | THE GIRL FROM EAST 9TH STREET
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| 9. | THE NIGHT HAS A THOUSAND EYES
Alternate Take
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| 10. | SAMBA CEPEDA
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| 11. | O GATO
Alternate Take
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Jazz / Cool
Recorded: Jun 13, 1964-Aug 20, 1964
Paul Desmond (alto saxophone); Jim Hall (guitar); Eugene Wright, Gene Cherico (bass); Connie Kay (drums)
Bossa Antigua picks up the samba-based rim shots of drummer Connie Kay on Take Ten and tries to make a whole new record out of them. While the title track duplicates the original percolating groove of "El Prince," other tracks like "Samba Cantina" revert to a typical bossa nova rhythm of the period, which leads one to conclude that "bossa antigua" is merely whatever Desmond says it is. Of the album's two non-originals, "The Night Has a Thousand Eyes," of course, is made-to-order for Desmond's wistful, sophisticated temperament, and he delivers exactly what a Desmond devotee would expect and love; and "A Ship Without a Sail" has some memorable off-the-cuff solo ideas. Jim Hall is around again to lend subtle rhythm support and low-key savvy in his solos, and like many Desmond companions of this period, he makes a fine sparring partner in the contrapuntal exchanges. The Brubeck Quartet's Gene Wright again lends a sturdy hand on bass. The playing is wonderful throughout, though just missing the full-throttle inspiration of Take Ten.
---Richard S. Ginell, allmusic
1.Bossa Antigua
2.Night Has A Thousand Eyes, The
3.O Gato
4.Samba Cantina
5.Curacao Doloroso
6.Ship Without A Sail, A
7.Alianca
8.Girl From East 9th Street, The
9.Night Has A Thousand Eyes, The - (alternate take, bonus track)
10.Samba Cepeda - (bonus track)
11.O Gato - (alternate take, bonus track) |
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