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| The Best of Ella Fitzgerald [GRP] |
| Ella Fitzgerald |
| első megjelenés éve: 1955 |
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| (2007)
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CD |
Kérjen
árajánlatot! |
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| 1. | A-Tisket A-Tasket
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| 2. | Undecided
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| 3. | Stairway To The Stars
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| 4. | Five O'Clock Whistle
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| 5. | Cow Cow Boogie
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| 6. | Flying Home
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| 7. | Stone Cold Dead In The Market
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| 8. | You Won't Be Satisfied Until You Break My Heart
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| 9. | I'm Just A Licky So And So
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| 10. | I Didn't Mean A Word I Said
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| 11. | Oh, Lady Be Good
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| 12. | How High The Moon
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| 13. | My Happiness
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| 14. | In The Evening When The Sun Goes Down
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| 15. | Smooth Sailing
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| 16. | Airmail Special
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| 17. | You'll Have To Swing It (Mr.Paganini) Pts. 1 & 2
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| 18. | Blue Lou
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| 19. | Lullaby Of Birdland
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| 20. | Hard Hearted Hannah
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Jazz
Selected from a list of personal favorites complied by Milt Gabler, Ella Fitzgerald's long-time Decca producer, on the occasion of her 75th birthday.
Tracks 1-19 recorded in New York. Tracks 1 and 2 recorded May 2, 1938 and February 17, 1939. Track 3 recorded June 29, 1939. Track 4 recorded September 25, 1940. Track 5 recorded November 3, 1943. Tracks 6 and 7 recorded October 4 and 8, 1945. Track 8 recorded January 18, 1946. Track 9 and 10 recorded February 21, 1946. Track 11 recorded March 19, 1947. Track 12 recorded April 30, 1948. Tracks 14 and 15 recorded June 26, 1951. Track 16 recorded January 4, 1952. Track 17 recorded June 26, 1952. Track 18 recorded February 13, 1953. Track 19 recorded June 4, 1954. Track 20 recorded in Los Angeles, May 3, 1955.
Ella Fitzgerald Vocal
Louis Armstrong Trumpet, Vocal
Leonard Graham Trumpet
Louis Jordan Alto Saxophone, Leader
Don Abney Piano
Ray Brown Bass
Joe Mondragon Bass
Larry Bunker Drums
Sonny Payne Drums
Chick Webb Drums, Orchestra
Bob Haggart Orchestra
Sy Oliver Orchestra
Vic Schoen Orchestra
The Ink Spots Vocal
The Song Spinners Vocal
Ella Jane Fitzgerald left the Decca fold to record from 1956 for Norman Granz' Verve Records, where she went on to recording history doing what she did best: singing the great songs of the century arranged and played by the best talent available. This is not, however, to make light of the legacy she left behind at Decca. The breadth of the work she did, from girlish novelty numbers to scat favorites to lush ballads and back again, are the high water marks of a talent in progress, blooming before our ears. Her contribution to great singing was immeasurable, and much of that contribution occurred during her Decca Years. |
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