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| Street Dreams |
| Lyle Mays |
| első megjelenés éve: 1988 |
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| (1998)
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CD |
Kérjen
árajánlatot! |
|
| 1. | Feet First
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| 2. | August
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| 3. | Chorinho
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| 4. | Possible Straight
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| 5. | Hangtime
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| 6. | Before You Go
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| 7. | Newborn
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| 8. | Street Dreams
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| 9. | Street Dreams
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| 10. | Street Dreams
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| 11. | Street Dreams
|
Jazz
Lyle Mays - Arranger, Keyboards, Piano, Producer
Aloysia Friedmann - Violin
Astrid Schween - Cello
Bill Frisell - Guitar
Bob Malach - Flute, Sax (Tenor)
Bob Millikan - Flute, Sax (Tenor), Trumpet
Bob Mintzer - Flute, Sax (Tenor)
Chris Gekker - Trumpet
Chris Seiter - Trombone
Chris Sieter - Trombone
Darc Bargeron - Trombone
Dave Bargeron - Trombone
Dave Bergeron - Trombone
David Cantor - Photography
David Sholemson - Project Coordinator
David Taylor - Trombone (Bass)
Elizabeth Mann - Flute
Emilia Barros - Speech/Speaker/Speaking Part, Spoken Word
Erica Kieswetter - Violin
Erich Kory - Cello
Eriko Sato - Violin
Glen Velez - Percussion
Jeff Hendrickson - Engineer
Jennie Hansen - Viola
Jeri Heiden - Art Direction, Design
Jonathan Spitz - Cello
Josh Gordon - Cello
Keith O'Quinn - Trombone
Laura Seaton - Violin
Laurie Frink - Trumpet
Louise Schulman - Leader, Viola, Violin
Lutz Rath - Cello
Marc Johnson - Bass, Bass (Acoustic)
Marilyn Reynolds - Violin
Martin Agee - Violin
Masako Yanagita - Violin
Mayuki Fukuhara - Concert Master, Violin
Mineko Yajima - Violin
Mitsuru Tsubota - Violin
Pat Metheny - Executive Producer
Paul Peabody - Violin
Peter Erskine - Cymbals, Drums
Randy Brecker - Trumpet
Richard Locker - Cello
Rob Eaton - Engineer, Mixing
Robert Shaw - Violin
Robin Bushman - Violin
Ron Lawrence - Viola
Rozlyne Clarke - Cello
Stephanie Fricker - Viola
Stephen Taylor - Horn (English)
Steve Gadd - Cymbals, Drums
Steve Jordan - Drums
Steve Radby - Bass (Electric)
Steve Rodby - Bass (Electric), Conductor, Producer
Steven Cantor - Producer
Ted Jensen - Mastering
Vicki Randle - Percussion, Vocals, Vocoder
William Blowns - Clarinet (Bass)
Willie Blount - Clarinet (Bass)
Yari Bond - Cello
Lyle Mays' second solo album ventures even further afield than his acclaimed first record, into areas not associated with Mays nor his employer Pat Metheny. This time, the personnel list is far more varied, with several guest luminaries from the world of jazz-rock, as well as a big band and full chamber orchestra on some selections. Again, the main thrust of the album is bound up in a lengthy suite with new age atmospheric elements, juxtaposing fleet Brazilian grooves with a chamber orchestra, voluble Mays piano solos, and electronic interpolations by Mays and Frisell reminiscent of early classical electronic music. The solo "Chorinho" is a running classical exercise on electric keyboards, almost a contemporary Bachianas Brasileiras (to borrow Villa-Lobos' term) and a considerable feat of invention. The biggest surprise of all may well be "Possible Straight," a brief, straight-ahead piece of big band hard bop, and "Before You Can Go" seems to be the token emulation of the Metheny groove. There's a lot of inventive, mostly easygoing music here, though if one must choose, the level is not as consistently high as on Mays' first album.
---Richard Ginell, All Music Guide |
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