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Kérjen
árajánlatot! |
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| 1. | Silk & Satin
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| 2. | Breezeway
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| 3. | Havana Moonlight
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| 4. | Springtime Laughter
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| 5. | If You Will
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| 6. | Got the Magic
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| 7. | Teardrops
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| 8. | Pure Mood
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| 9. | Sierra
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| 10. | R.S.V.P.
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| 11. | Love Comes
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Jazz
As one of the earliest and most popular purveyors of what came to be known as "smooth jazz," Spyro Gyra was an easy target for the jazz police as that format reached airplay ascendancy in the 1990s. Got the Magic shows the many strengths of the band but also serves up a couple of opportunities for the critics to take a swing at their radio-friendly commercial instincts. Mid- to up-tempo concoctions like "Silk and Satin" and "Havana Moonlight" make for some very pleasant listening, and the addition of old bandmate Dave Samuels' vibes on "Breezeway" and "Sierra" brings back the sound that attracted the group's audience in the first place. However, "Springtime Laughter," while a well-performed vocal by Basia, would have been a catchy contemporary jazz piece without the silly lyrics. And why is it necessary to have tacked-on background vocalists repeating a song's title as on "Love Comes" and the title track?
Still, Spyro Gyra's music has more depth and kick than most of their brothers and sisters in the smooth or contemporary genre. Jay Beckenstein once again delivers some fine saxophone playing, Tom Schuman lays down nice keyboard textures, and guitarist Julio Fernandez enlivens several pieces with his tasty fretwork (and Benson-like scatting on "Sierra"). Got the Magic is full of accessible melodies and polished playing, adding up to a very enjoyable pop-jazz outing.
---Jim Newsom, All Music Guide
Spyro Gyra
Active Decades: '70s, '80s, '90s and '00s
Born: 1974 in Buffalo, NY
Genre: Jazz
Styles: Crossover Jazz, Fusion, Jazz-Pop, Smooth Jazz
Founded in 1974 by altoist Jay Beckenstein, Spyro Gyra have consistently been one of the commercially successfully pop-jazz groups of the past 20 years. Although originally a studio group, the band became a full-time venture in 1979 and has been touring ever since. Critics love to attack this band's lightweight and rarely changing music, which combines R&B and elements of pop and Caribbean music with jazz, but its live performances are often stimulating -- unlike many of its records, which emphasize the danceable melodies at the expense of improvising.
The roots of Spyro Gyra lay in Buffalo, NY, in the early '70s. Beckenstein and his longtime friend, keyboardist Jeremy Wall, had been leading a group with a revolving membership; every one of the many members in the band were loosely involved in the local jazz and rock scenes. Around 1974, the group was beginning to gel and cultivate a following. A club owner who wanted to advertise an upcoming appearance by the band asked Beckenstein for the group's name. The saxophonist told him "Spirogira," a word he learned in a college biology course. The owner misspelled the word as Spyro Gyra, and the band fell into place, featuring Beckenstein, Wall, electric guitarist Chet Catallo, bassist David Wolford, drummer Eli Konikoff, and percussionist Gerardo Velez. Not long afterward, the group added keyboardist Tom Schuman.
Spyro Gyra independently funded and recorded their debut album, releasing the record on the local independent label Amherst in 1976. The record slowly became a success and Amherst sold the rights to the band to Infinity Records, a division of MCA. Morning Dance, their first album for Infinity, was released in 1979. The record became a major hit, spawning a Top 40 single with "Morning Dance" and going platinum. In the wake of the record's success, Wall retired from live performance, leaving Schuman as the group's main keyboardist; Wall stayed with the band as an assistant producer and occasional composer.
Morning Dance firmly placed Spyro Gyra as one of the most popular artists in contemporary jazz, and throughout the '80s, their popularity continued growing. Their albums were consistent best-sellers, and their concerts often sold out. In 1983, vibraphonist and marimba player Dave Samuels -- who had played on several of the group's albums -- became a full-fledged member of the band. Over the course of the '80s, the membership of Spyro Gyra fluctuated, but Beckenstein and Schuman remained at its core, keeping the group's signature sound intact.
In 1990, MCA's jazz roster was absorbed by GRP, so Spyro Gyra switched labels, releasing Fast Forward, their first album for GRP, later that year. In 1993, Samuels left the touring band, but he continued to play in the studio. By the late '90s, the band featured Beckenstein, Schuman, Julio Fernandez, Joel Rosenblatt, and Scott Ambush, and released Got the Magic in 1999. Two years later the band moved to the Telarc-affiliated Heads Up label and released In Modern Times in 2001, followed by Original Cinema in 2003. Drummer Rosenblatt left the band and was replaced by Ludwig Afonso for 2004's Deep End. A fourth Heads Up album, Good to Go-Go, was issued in 2007. The holiday album A Night Before Christmas followed in 2008.
---Scott Yanow & Stephen Thomas Erlewine, All Music Guide |
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