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| Exclusively for My Friends |
| Oscar Peterson |
első megjelenés éve: 1968
235 perc |
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| (1992)
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4 x CD |
Kérjen
árajánlatot! |
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| 1. CD tartalma: |
| 1. | At Long Last Love
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| 2. | Easy Walker
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| 3. | Tin Tin Deo
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| 4. | I've Got a Crush on You
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| 5. | A Foggy Day
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| 6. | Like Someone in Love
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| 7. | On a Clear Day
You Can See Forever
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| 8. | I'm in the Mood for Love
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| 9. | Girl Talk
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| 2. CD tartalma: |
| 1. | Robbins Nest
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| 2. | Medley: I Concentrate on You / Moon River
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| 3. | Medley: Waltzing Is Hip / Satin Doll
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| 4. | Love Is Here to Stay
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| 5. | Sandy's Blues
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| 6. | Alice in Wonderland
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| 7. | Noreen's Nocturne
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| 8. | In a Mellow Tone
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| 9. | Nica's Dream
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| 3. CD tartalma: |
| 1. | On Green Dolphin Street
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| 2. | Summertime
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| 3. | Sometimes I'm Happy
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| 4. | Who Can I Turn To
When Nobody Needs Me
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| 5. | Travelin' On
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| 6. | Emily
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| 7. | Quiet Nights
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| 8. | Sax No End
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| 9. | When Lights Are Low
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| 4. CD tartalma: |
| 1. | Someone to Watch over Me
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| 2. | Perdido
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| 3. | Body and Soul
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| 4. | Who Can I Turn To When Nobody Needs Me
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| 5. | Bye Bye Blackbird
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| 6. | I Should Care
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| 7. | Lulu's Back in Town
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| 8. | Little Girl Blue
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| 9. | Take the "A" Train
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Jazz / Mainstream Jazz; Bop; Swing
Recorded: 1963-Apr 1968, George Brunner-Schwer's private studio in Villingen, Germany
Oscar Peterson - piano
Ray Brown
Sam Jones - bass
Ed Thigpen
Bobby Durham
Louis Hayes - drums
The set includes a 32-page booklet with historic black and white photographs and a discography with pictures of the original album covers.
Includes liner notes by Sigfried Schmidt-Joos and Baldur Bockhoff.
Disc 1: 68:05 min.
Disc 2: 66:33 min.
Disc 3: 60:00 min.
Disc 4: 39:52 min.
EXCLUSIVELY FOR MY FRIENDS contains the 6 LPs Oscar Peterson recorded for the German label MPS (Musik Produktion Schwarzwald). Three of the discs are trio recordings and one is of solo piano.
Oscar Peterson has stated that he feels his MPS recordings are his finest. That is quite a statement considering the huge amount of records that the pianist has produced through the past 50 years. This four-CD set reissues the music from six of his MPS LPs: Action, Girl Talk, The Way I Really Play, My Favorite Instrument, Mellow Mood, and Travelin' On. While some of the performances feature the 1963 trio he had with bassist Ray Brown and drummer Ed Thigpen, most of the music dates from 1967-1968 and matches Peterson with bassist Sam Jones and either Louis Hayes or Bobby Durham on drums. A special treat is Peterson's first unaccompanied solo album, which fills up the final CD. Peterson's many fans know what to expect in this set, while other listeners need to discover him to realize what all of the fuss was about. Quite simply, Oscar Peterson has long been one of the greatest pianists the world has ever known; this reissue offers plenty of proof.
---Scott Yanow, AMG
Oscar Peterson
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Aug 15, 1925 in Montreal, Quebec, Canada
Died: Dec 23, 2007 in Mississauga, Ontario, Canada
Genre: Jazz
Styles: Bop, Swing, Mainstream Jazz
Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the mid- to late '40s and fell somewhere between swing and bop. Peterson was criticized through the years because he used so many notes, didn't evolve much since the 1950s, and recorded a remarkable number of albums. Perhaps it is because critics ran out of favorable adjectives to use early in his career; certainly it can be said that Peterson played 100 notes when other pianists might have used ten, but all 100 usually fit, and there is nothing wrong with showing off technique when it serves the music. As with Johnny Hodges and Thelonious Monk, to name two, Peterson spent his career growing within his style rather than making any major changes once his approach was set, certainly an acceptable way to handle one's career. Because he was Norman Granz's favorite pianist (along with Tatum) and the producer tended to record some of his artists excessively, Peterson made an incredible number of albums. Not all are essential, and a few are routine, but the great majority are quite excellent, and there are dozens of classics.
Peterson started classical piano lessons when he was six and developed quickly. After winning a talent show at 14, he began starring on a weekly radio show in Montreal. Peterson picked up early experience as a teenager playing with Johnny Holmes' Orchestra. From 1945-1949, he recorded 32 selections for Victor in Montreal. Those trio performances find Peterson displaying a love for boogie-woogie, which he would soon discard, and the swing style of Teddy Wilson and Nat King Cole. His technique was quite brilliant even at that early stage, and although he had not yet been touched by the influence of bop, he was already a very impressive player. Granz discovered Peterson in 1949 and soon presented him as a surprise guest at a Jazz at the Philharmonic concert. Peterson was recorded in 1950 on a series of duets with either Ray Brown or Major Holley on bass; his version of "Tenderly" became a hit. Peterson's talents were quite obvious, and he became a household name in 1952 when he formed a trio with guitarist Barney Kessel and Brown. Kessel tired of the road and was replaced by Herb Ellis the following year. The Peterson-Ellis-Brown trio, which often toured with JATP, was one of jazz's great combos from 1953-1958. Their complex yet swinging arrangements were competitive -- Ellis and Brown were always trying to outwit and push the pianist -- and consistently exciting. In 1958, when Ellis left the band, it was decided that no other guitarist could fill in so well, and he was replaced (after a brief stint by Gene Gammage) by drummer Ed Thigpen. In contrast to the earlier group, the Peterson-Brown-Thigpen trio (which lasted until 1965) found the pianist easily the dominant soloist. Later versions of the group featured drummers Louis Hayes (1965-1966), Bobby Durham (1967-1970), Ray Price (1970), and bassists Sam Jones (1966-1970) and George Mraz (1970).
In 1960, Peterson established the Advanced School of Contemporary Music in Toronto, which lasted for three years. He made his first recorded set of unaccompanied piano solos in 1968 (strange that Granz had not thought of it) during his highly rated series of MPS recordings. With the formation of the Pablo label by Granz in 1972, Peterson was often teamed with guitarist Joe Pass and bassist Niels Pedersen. He appeared on dozens of all-star records, made five duet albums with top trumpeters (Dizzy Gillespie, Roy Eldridge, Harry "Sweets" Edison, Clark Terry, and Jon Faddis), and teamed up with Count Basie on several two-piano dates. An underrated composer, Peterson wrote and recorded the impressive "Canadiana Suite" in 1964 and has occasionally performed originals in the years since. Although always thought of as a masterful acoustic pianist, Peterson has also recorded on electric piano (particularly some of his own works), organ on rare occasions, and even clavichord for an odd duet date with Joe Pass. One of his rare vocal sessions in 1965, With Respect to Nat, reveals that Peterson's singing voice was nearly identical to Nat King Cole's. A two-day reunion with Herb Ellis and Ray Brown in 1990 (which also included Bobby Durham) resulted in four CDs. Peterson was felled by a serious stroke in 1993 that knocked him out of action for two years. He gradually returned to the scene, however, although with a weakened left hand. Even when he wasn't 100 percent, Peterson was a classic improviser, one of the finest musicians that jazz has ever produced. The pianist appeared on an enormous number of records through the years. As a leader, he has recorded for Victor, Granz's Clef and Verve labels (1950-1964), MPS, Mercury, Limelight, Pablo, and Telarc.
---Scott Yanow, All Music Guide |
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