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Kérjen
árajánlatot! |
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| 1. | Take the "A" Train
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| 2. | Out of Nowhere
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| 3. | Epistrophy
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| 4. | Ask Me Now
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| 5. | Equinox
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| 6. | Sandu
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| 7. | Oleo
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Jazz / Post-Bop, Hard Bop, Avant-Garde Jazz
James Carter - Sax (Alto), Sax (Tenor), Sax (Soprano)
Allan Tucker Mastering
Craig Taborn Piano
Don Palmer Liner Notes
Ed Wedberg Piano Tuner
Jaribu Shahid Bass
Jim Anderson Engineer, Mixing
Jimmy Katz Photography
Kazunori Sugiyama Producer
Scott Austin Assistant Engineer
Tani Tabbal Drums
The young but already great saxophonist James Carter explores seven jazz standards with pianist Craig Taborn (himself a young master capable of playing in several styles), bassist Jaribu Shahid, and drummer Tani Tabbal. Among the most versatile and knowledgeable of today's saxophonists, Carter draws on many top stylists during these lengthy solos, yet always sounds quite individual. His violent depiction of a train whistle on "Take the 'A' Train" perfectly launches that romp, and he also really stretches out on "Epistrophy," plays the blues on John Coltrane's "Equinox," and shows quite a bit of fire on "Oleo." A very stimulating session. ~ Scott Yanow, All Music Guide
James Carter
Active Decades: '90s and '00s
Born: Jan 03, 1969 in Detroit, MI
Genre: Jazz
Styles: Modern Creative, Post-Bop, Contemporary Jazz, Progressive Jazz, Avant-Garde Jazz
After Wynton Marsalis, no one caused more of an uproar than James Carter did when he appeared on the New York jazz scene from his native Detroit. Carter's debut recording, JC on the Set, issued in Japan when he was only 23 and in the States a year later in 1993, was universally acclaimed as the finest debut by a saxophonist in decades. Critics lauded his ability to play in virtually any jazz style without appearing to ape anyone. Carter, who began playing at 11 and studied with trumpeter Marcus Belgrave, was a prodigy. He played and toured with Marsalis in 1986 at the age of 17 and became a member of Lester Bowie's band upon relocating to New York in 1988. Carter issued no less than six recordings under his own name between 1993 and 2000, all of them with different focuses, from a set of standards, Conversin' with the Elders in 1995, to an electric funk record, Layin' in the Cut, to a simultaneously released set in tribute to Django Reinhardt, Chasin the Gypsy. Three years later, he honored the legendary Billie Holiday with Gardenias for Lady Day. Jumping ship from Columbia to Warner Bros., Carter's Live at Baker's Keyboard Lounge followed in spring 2004. Another live session, Out of Nowhere, was released in 2005 on the independent label Half Note. Carter has continued his whirlwind of activity, playing in sessions and on live settings with the Lincoln Center Jazz Orchestra, Cyrus Chestnut, Rodney Whitaker, Frank Lowe, the late Julius Hemphill, pop-jazz singer Madeleine Peyroux, Ronald Shannon Jackson, Tough Young Tenors, and the Charles Mingus Big Band. In 2008, he released Present Tense on Universal Jazz. Carter followed that up a year later with the live album Heaven on Earth, featuring a jazz supergroup including, among others, organist John Medeski and bassist Christian McBride.
--- Thom Jurek, All Music Guide |
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