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| The Last of the Blue Devils |
| Jay McShann |
| első megjelenés éve: 2006 |
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| (2006)
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CD |
| 3.396 Ft
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| 1. | Confessin' the Blues
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| 2. | 'Tain't Nobody's Bizness If I Do
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| 3. | Hootie Blues
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| 4. | Blue Devil Jump
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| 5. | My Chile
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| 6. | Jumpin' at the Woodside
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| 7. | Just for You
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| 8. | Hot Biscuits
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| 9. | 'Fore Day Rider
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| 10. | Kansas City
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Jazz
Jay McShann - Piano, Piano (Electric), Vocals
Buddy Tate - Sax (Tenor)
Gord Maxwell - Vocals (Background)
Jack Williams - Drums
Jackie Williams - Drums
Joe Newman - Trumpet
Joe Newman Quartet - Trumpet
John Dymond - Bass
John Scofield - Guitar (Electric)
Keith Bennett - Harmonica
Lisa Brokop - Vocals (Background)
Mike Kennedy - Drums
Milt Hinton - Bass
Paul Chapman - Guitar (Electric)
Paul Quinichette - Sax (Tenor)
Robbie Steininger - Guitar (Acoustic)
Tania Hancheroff - Vocals (Background)
Wayne Addleman - Dobro, Pedal Steel
* Ahmet Ertegun - Executive Producer
* Andrew MacNaughtan - Photography
* Bob Defrin - Art Direction, Artwork
* Bobby Warner - Remixing
* Craig Waddell - Mastering
* Craig Zurba - Mixing
* Geen Paul - Mastering
* George Piros - Mastering
* Ilhan Mimaroglu - Producer
* Jim Crotty - Engineer
* Ken Friesen - Engineer
* Lynn Dreese Breslin - Design
* Nikki McGee - Photography
* Patrick Duffy - Design
* Stanislaw Zagorski - Cover Illustration, Illustrations
* Stanley Dance - Liner Notes
* Tom McKillip - Mixing, Producer
When Charlie Parker first came to New York in 1942, he was a sideman in Jay McShann's big band. Every jazz fan knows what happened after that -- Parker changed the world and McShann became a footnote in Parker's biography. That's too bad, and not just for him; if the 1978 session remastered and reissued on this disc is anything to go by, McShann had much more to offer the world than his role as caregiver to the inventor of bebop. Leading an all-star cast that includes saxophonist Paul Quinichette, the ubiquitous Milt Hinton on bass, and a young, up-and-coming guitarist named John Scofield, McShann teaches an entire course on the history of blues-based jazz, going from his own "Confessin' the Blues" through "Hootie Blues" (which he co-wrote with Parker and Walter Brown) and an intensely swinging version of Count Basie's "Jumpin' at the Woodside." He goes off on a welcome tangent with Pete Johnson's sweet stride ballad "Just for You" and comes on home with the boogie-woogie composition "'Fore Day Rider" and Leiber and Stoller's "Kansas City." Highly recommended.
---Rick Anderson, All Music Guide |
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