  |
|
|
 |
|
CD |
Kérjen
árajánlatot! |
|
| 1. | Sweet Release: Home: Beyond This Rage
The Jazz at Lincoln Center Orchestra |
| 2. | Sweet Release: Church: Renewing Vows
with The Jazz at Lincoln Center Orchestra |
| 3. | Sweet Release: Church Basement: Party
with The Jazz at Lincoln Center Orchestra |
| 4. | Sweet Release: Street: Make Room For Me
with The Jazz at Lincoln Center Orchestra |
| 5. | Sweet Release: Home: Give Me Your Hand
with The Jazz at Lincoln Center Orchestra |
| 6. | Ghost Story: Introduction * with Ted Nash/Eric Lewis/Carlito Henriquez/Rodney Whitaker/Jaz Sawyer
|
| 7. | Ghost Story: Acknowledgment * with Ted Nash/Eric Lewis/Carlito Henriquez/Rodney Whitaker/Jaz Sawyer
|
| 8. | Ghost Story: Tango * with Ted Nash/Eric Lewis/Carlito Henriquez/Rodney Whitaker/Jaz Sawyer
|
| 9. | Ghost Story: First Blues * with Ted Nash/Eric Lewis/Carlito Henriquez/Rodney Whitaker/Jaz Sawyer
|
| 10. | Ghost Story: Awakening * with Ted Nash/Eric Lewis/Carlito Henriquez/Rodney Whitaker/Jaz Sawyer
|
| 11. | Ghost Story: Celebration * with Ted Nash/Eric Lewis/Carlito Henriquez/Rodney Whitaker/Jaz Sawyer
|
| 12. | Ghost Story: Second Blues * with Ted Nash/Eric Lewis/Carlito Henriquez/Rodney Whitaker/Jaz Sawyer
|
| 13. | Ghost Story: Recognition And Reconciliation * with Ted Nash/Eric Lewis/Carlito Henriquez/Rodney Whitaker/Jaz Sawyer
|
Jazz / Classical
Bop
Swing
Post-Bop
Recorded:
* SWEET RELEASE: August 11, 1996, Music Hall, Tarrytown, New York
* GHOST STORY: December 7, 1998, Rose Studio, Lincoln Center, New York, New York
Wynton Marsalis (conductor, trumpet); Wess Anderson (sopranino & alto saxophones, clarinet); Ted Nash (soprano & alto saxophones, flute); Victor Goines (soprano & tenor saxophones, clarinet, bass clarinet); Sherman Irby (alto saxophone, clarinet); Stephen Riley (tenor saxophone); Gideon Feldstein (baritone saxophone, bass clarinet); Roger Ingram, Ryan Kisor, Russell Gunn, Jamil Sharif (trumpet); Wycliffe Gordon (trombone, tuba); Ron Westray, Wayne Goodman, Bob Trowers (trombone); Eric Reed, Eric Lewis (piano); Rodney Whitaker, Carlito Henriquez (bass); Herlin Riley, Jaz Sawyer (drums); Pernell Saturnino (congas, percussion); Stefon Harris (percussion)
The fifth in Wynton Marsalis's avalanche of eight releases in 1999 was another pairing of ballets, again issued on Sony Classical rather than Columbia. Sweet Release is easily the more ingratiating of the two - obviously, even slavishly, modeled on the harmonic gospel of Duke Ellington but sassy and swinging just the same. Apparently, it's supposed to represent the course of a man-woman courtship, moving from home to the church to the street and back home again. Wynton indulges in a trumpet paraphrase of the clarinet opening of "Rhapsody In Blue" to start, and in the finale, he shows that he has absorbed the relaxed, elegant feeling of Duke's "Sugar Hill Penthouse" from Black, Brown and Beige. There is even an intricate outbreak of salsa that takes place at a party in a church basement (must be a Spanish Harlem church). The Lincoln Center Jazz Orchestra plays it crisply and Wynton's outstanding trumpet is heard frequently - most engagingly in a fun plunger mute duel with trombonist Wycliffe Gordon. But Ghost Story is mostly a bore, launched by a dull, New Age-like introduction for wandering solo piano that seems to go on forever and concluded by the same, only mercifully shorter. In between, the quartet of Ted Nash (reeds), Eric Lewis (piano, Carlito Henriquez (bass) and Jaz Sawyer (drums) sounds reined in by Marsalis's labored writing, unable to stretch out. Marsalis even tries to pull off a tango, with limited success. This ambitious, over-prolific, still-developing composer desperately needs a good editor.
---Richard S. Ginell, allmusic
Includes liner notes by Stanley Crouch and Wynton Marsalis |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
