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6.249 Ft
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1. | It's You Or No One
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2. | Juicy Lucy
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3. | Pelham Gardens
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4. | Bishop Island
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5. | Only Of A Season
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6. | It's A New York Thing
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7. | Round Midnight / In A Sentimental Mood
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8. | Big Brother
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Jazz
Recorded: Dec. 15, 2009, David Lange Studios, Edgewood, WA
RAY VEGA trumpet THOMAS MARRIOTT trumpet TRAVIS SHOOK piano JEFF JOHNSON bass MATT JORGENSEN drums
Produced by Thomas Marriott & Ray Vega Recorded by David Lange Mixed by Don Gunn, Dec. 16, 2009 Mastered by John McCaig at Panic Studios Photography by Chad McCullough Cover design by John Bishop
Continuing the tradition of fabled trumpet duo sessions that have included Fats Navarro & Howard McGhee, and Freddie Hubbard & Woody Shaw, two of the more dynamic and versatile trumpeters anywhere, New Yorker Ray Vega & Thomas Marriott from Seattle, make up the front line of this power-packed quintet as they take a joyous ride through a collection of jazz classics and original compositions. Featuring the rhythm section of New York pianist Travis Shook, and the Seattle team of drummer Matt Jorgensen and bassist Jeff Johnson, the band tears through standards like "It's You or No One" and several originals, that are sure to excite the general jazz audience as much as fans of the trumpet. Far from a "cutting session," this recording showcases the sensibilities and styles of both coasts of the U.S. and how they can partner to cover a good deal of stylistic territory while remaining both lyrical and exciting. "...this fabulous recording is a shout out to the jazz trumpet gods...Vega pulls out all the stops..." - New York Latino.
Working the two coasts of jazz theory together, but using the Northwest as representative of modern West Coast jazz rather than the L.A. area, trumpeters Ray Vega and Thomas Marriott combine their formidable powers for good in a massive set. The two trumpeters have played together over the years, and have become stalwarts of the local scenes in their respective cities (Marriott winning numerous awards and recording numerous exceptional albums in Seattle, Vega in New York). Here, they trade riffs and solos, follow paired melodic lines, and explore both energetic urban forms and more pastoral compositions. The album opens with Sammy Cahn's "It's You or No One," which makes a good first showing of the two styles and also introduces pianist Travis Shook and a hidden propensity to invoke Bud Powell as he courses through a massive solo. Horace Silver's "Juicy Lucy" uses the trumpets in tandem in a relaxed form reminiscent of some of the Dizzy GillespieSonny Stitt sessions. A couple of compositions from Marriott show off both urban energy (in a musical ode to New York in "Pelham Gardens") and contemplative balladry (in a musical ode to Seattle's Lake Washington in "Bishop Island"). Both provide excellent showcases of the trumpets, and Jeff Johnson's bass solo in "Bishop Island" additionally shows off some excellence. Vega's compositions take the opposite approach, building from a more pensive "Only of a Season" to the nearly hyperactive "It's a New York Thing," showing off some blazing horn techniques along the way. A medley of ballads lets both of the players show off their softer side, and the album finishes on Marriott's tribute to Vega. Musical summits rarely turn out as perfectly as one would hope, given the egos and/or deference of players to one another. This one lets both players respect one another, work together, and show off their own styles all at once. And it's all excellent. ~ Adam Greenberg, Rovi
Ray Vega
Active Decades: '90s and '00s Genre: Jazz
At the age of 12, when Ray Vega saw Machito & His Orchestra play in Central Park, the South Bronx native decided he was destined to play the saxophone. Enrolled in his school's music program, Vega received the bad news that the school was out of saxophones, so he reluctantly switched to trumpet. A year later he was being taught by Down Beat poll winner Jerry Gonzales, an experience that changed Vega's opinion of the instrument forever. Studying the trumpet throughout his high-school years gave Vega the chops to land gigs in the bands backing Celia Cruz, Ray Barretto, Mongo Santamaria, Paul Simon, and Tito Puente. On his own he refined his trumpet, composition, and percussion skills and made his solo debut in 1996 with his self-titled album for the Concord label. He recorded Boperation for the label in 1999 but switched to Palmetto for his 2002 release, Pa'Lante. After serving a year as artist-in-residence for the Cityfolk program in Dayton, OH, Vega released his second Palmetto album, Squeeze Squeeze, in 2004. Vega also serves as a member of the Bronx Council of the Arts. ---David Jeffries, All Music Guide |
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