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| 3.740 Ft
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| 1. | I'm Crazy 'Bout My Baby
Edited Alternate Version
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| 2. | Keepin' Out Of Mischief Now
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| 3. | I Can't Give You Anything But Love
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| 4. | Squeeze Me
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| 5. | Body & Soul
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| 6. | I'm Confessin' (That I Love You)
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| 7. | Honeysuckle Rose
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| 8. | I've Got A Feeling I'm Falling
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| 9. | One Moment Worth Years
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| 10. | My Sweet
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| 11. | I'm In The Market For You
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| 12. | If I Could Be With You (One Hour Tonight)
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| 13. | Ko Ko Mo (I Love You So) - Live
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| 14. | All Of Me - Live
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| 15. | I Didn't Know Until You Told Me
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Jazz
Recorded between 1929 & 1961
Digitally remastered by Darcy Proper, Sony Music Studios, New York, New York
Louis Armstrong (vocals, trumpet)
Les Hite (leader, alto & baritone saxophones); Leon Elkins (leader, trumpet); Velma Middleton, Carmen McCrae (vocals); Albert Nicholas, Charlie Holmes, Marvin Johnson (alto saxophone); Charlie Jones (tenor saxophone, clarinet); Teddy Hill (tenor saxophone); George Orendorff, Harold Scott (trumpet); Luther Graven, J.C. Higgenbotham, Trummy Young (trombone); Reggie Jones (tuba); Barney Bigard (clarinet); Lionel Hampton (vibraphone, drums); Luis Russell, Billy Kile, Henry Price, Joe Turner, Dave Brubeck (piano); Eddie Condon (banjo); Lonnie Johnson (guitar); Pops Foster, Arvell Shaw, Joe Bailey, Gene Wright, Mort Herbert (bass); Paul Barbarin, Barrett Deems, Joe Morello (drums)
* Art Maillet - Photography
* Bob Stevens - Producer
* Darcy Proper - Digital Remastering
* Dianne Spoto Shattuck - Packaging Manager
* Don Hunstein - Photography
* George Avakian - Producer
* Howard Fritzson - Art Direction
* John Jackson - Production Assistant
* Nedra Olds-Neal - Compilation Producer
* R.J. Jones - Producer
* Seth Rothstein - Project Director
* Tommy Rockwell - Producer
This 15-song compilation of performances emphasizes Armstrong's vocals and romantic material. Although the material spans 1929 to 1961, because of what Columbia has access to, the chronological balance is skewed; half a dozen tracks were done between 1929 and 1930, and the rest between 1955 and 1961, leaving a large gap between the two periods. It remains a rather pleasing and effective sampler of Armstrong's most accessible qualities. The later cuts include five numbers from his Fat Waller tribute album Satch Plays Fats, and two cuts from his The Real Ambassadors Album with Carmen McRae and the Dave Brubeck Trio. Velma Middleton adds vocals to a few songs, including the sole unreleased performance "Ko Ko Mo, I Love You So" from the 1958 Newport Jazz Festival.
---Richie Unterberger, All Music Guide |
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