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| 1. | The Council of Nicea
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| 2. | Before You Leave
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| 3. | Soul Fries
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| 4. | Blossom
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| 5. | First Love
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| 6. | Texas Groove
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| 7. | Goin' Through Changes
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| 8. | Central Park West
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| 9. | Departure
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| 10. | Our Love Is Here to Stay
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Jazz / Smooth Jazz, Straight-Ahead Jazz
Everette Harp - Sax (Tenor), Sax (Alto), Sax (Soprano), Liner Notes
Corine Duke Production Assistant
Dwight Sills Guitar
Erik Zobler Mastering, Engineer, Mixing
George Duke Soloist, Piano, Piano (Electric), Fender Rhodes, Producer
James Genus Bass (Electric), Bass (Upright)
Lenny Castro Percussion
Mark Ellis Stephens Piano, Fender Rhodes
Michael "Patches" Stewart Trumpet
Reggie C. Young Trombone
Terri Lyne Carrington Drums
First Love is Everette's latest release and is produced by multi-Grammy award winner George Duke. George, Everette and guitarist Norman Brown are just a few of the smooth jazz luminaries who have come together to create the once-in-a-lifetime magic of Everette Harp's exciting new CD.
On First Love, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent My Inspiration. Whereas on that album, he was still digging deeply into his own brand of funky jazz, he was also looking for something. His soloing on the album was sharper, brighter, and more complex, but his arrangements and production style were slick enough to get his jams on the radio. On First Love, it sounds like Harp found what he was seeking. In the liners, he mentions some of his heroes like John Coltrane and Dave Brubeck, and how his first hearing records like Soultrane and Time Out made him fall in love with the music. Produced by George Duke, this set is one of the most remarkable and thought-provoking recordings to come out of the contemporary jazz genre in ages. The meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his original "The Council of Nicea," one of the most satisfying things here. Harp's tenor is accompanied by James Genus' acoustic bass, and some spot-on breaks by Terri Lyne Carrington, a beautiful bluesy, hard bop trumpet solo by Michael "Patches" Stewart, and Lenny Castro's hand percussion. Directing the band is Duke on Fender Rhodes with help from the exquisite if understated electric guitar work from Dwight Sills. The ballad "Before You Leave" follows suit with Carrington providing elegant brushwork. These are pretty basic straight-ahead numbers. This is not to suggest that there isn't some funky work here, too. Check Duke's "Soul Fries" with Genus on electric bass. The funkiness of the Rhodes is smokin' and the blues factor in Harp's playing with Stewart gets a solid groove going behind a tight, sophisticated arrangement. Duke contributes one more cut to the set, the killer Latin-ized fusion funk of "Departure." It's a midtempo ballad, but its knotty bridges and Genus' electric bass work turn it all inside out. The biggest surprise here, however, is in the beautifully restrained but intensely soulful reading of Coltrane's "Central Park West." Here is the place where Harp's mastery of the tenor horn is on full display with an abundance of warmth and depth. It is an absolutely gorgeous reading of the tune. Given the half-acoustic/half-electric division of the tracks here, the originals are easily the most sophisticated, confident, and masterfully played of Harp's career thus far, and the covers fit in seamlessly, making this his finest recording to date. ~ Thom Jurek, All Music Guide
Everette Harp
Active Decades: '90s and '00s
Born: Aug 17, 1961 in Houston, TX
Genre: Jazz
Styles: Instrumental Pop, Crossover Jazz, Smooth Jazz
An emotional R&B-oriented saxophonist, Everette Harp graduated from North Texas State University and played locally in Houston during 1981-1988, becoming a studio musician. In 1988, he moved to Los Angeles and was soon playing in major R&B bands (including those of Anita Baker, Sheena Easton, and Kenny Loggins). In 1991, Harp toured with George Duke and Marcus Miller, and recorded his debut for Manhattan. In 1992, he toured with Rachelle Ferrell, and two years later his second album (for Blue Note Contemporary) was released; the Marvin Gaye tribute What's Going On, his contribution to the Blue Note Cover Series, followed in 1997, trailed a year later by Better Days. For the Love was released three years later. The popular Everette Harp's background is in gospel and R&B, but he sometimes displays the ability to improvise. He has remained active releasing such albums as For the Love in 2000, All for You in 2004, In the Moment in 2006, and My Inspiration in 2007.
---Scott Yanow, All Music Guide |
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