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| 4.901 Ft
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| 1. | Road Warriors
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| 2. | Summer Lovers
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| 3. | Welcome to the St. James Clu
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| 4. | Hideaway
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| 5. | Black Diamond
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| 6. | South Beach Mambo
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| 7. | She Likes to Watch
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| 8. | Jewel Thieves
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| 9. | Rain
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| 10. | Avenida del Mar
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| 11. | Purple Haze/Fire Medley
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| 12. | Fire
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| 13. | The Star Spangled Banner
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| 14. | Are We There Yet?
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Jazz / Instrumental Pop, Jazz-Pop, Crossover Jazz, Smooth Jazz
The Rippingtons
Bill Heller Keyboards
Dave Hooper Drums
Dave Karasony Drums
Eric Marienthal Saxophone
Kim Stone Bass
Nick Sodano Engineer, Tour Manager, Producer, Mixing, Recorder
Paul Taylor Saxophone
Ramon Yslas Percussion
Russ Freeman Guitar, Executive Producer, Producer, Mixing
Scott Breadman Percussion
Andi Howard Executive Producer
Doug Sax Mastering
Leilani Shelby Production Coordination
Robert Hadley Mastering
Valerie Ince A&R Assistance
While most artists merely appreciate the applause of their fans, Russ Freeman and his Rippingtons literally take requests; though they had put out Live in L.A. in 1993, their rabid fans flooded the band's official website with requests for another live date, and this set (recorded in numerous locations throughout the U.S. on 1999's Topaz tour) is the fun-filled result. Several factors make this essential even for fans who have the first live disc: first, there are three new key players who help turn the energy level higher than before, saxman Paul Taylor, drummer Dave Hooper and percussionist Ramon Yslas. There's also a looser, more jamming and improvisational feeling, with many of the familiar tracks given significant arrangement facelifts apart from their studio counterparts. Cases in point are the eight and a half minute clapalong "Jewel Thieves" (which showcases Kim Stone's intense bass soloing) and "Summer Lovers," which breaks at one point for Taylor to blow off some soulful, spontaneous steam. Freeman's rock guitar chops have gotten more confident over the years, which makes the blistering Hendrix tribute "Purple Haze/Fire" (featuring loopy vocals by Stone and Taylor), an unforgettable reminder that the leader is a monster player as well as a great composer/producer. Bookending the set are the hard-edged guitar- and sax-driven "Road Warriors" (which sums up the frenetic tour experience) and the laid-back "Kabuki," which Freeman and Stone wrote and recorded one day at sound check. ~ Jonathan Widran, All Music Guide
The Rippingtons
Active Decades: '80s, '90s and '00s
Born: 1987
Genre: Jazz
Styles: Contemporary Jazz, Crossover Jazz, Instrumental Pop, Jazz-Pop, Smooth Jazz
One of the most popular groups in what is loosely termed "contemporary jazz," the Rippingtons were formed (and have been led ever since) by guitarist/keyboardist Russ Freeman (no relation to the veteran West Coast bop pianist of the same name). Freeman (born February 11, 1960, in Nashville) studied at Cal Arts and UCLA, and recorded Nocturnal Playground as a leader in 1985 for the Brainchild label, a one-man project. In 1987, he was approached to record for the Japanese Alfa label and came up with the Rippingtons name for the all-star group he used on the disc (Moonlighting), an ensemble featuring David Benoit, Kenny G., and Brandon Fields. Their album was released domestically by Passport and became a hit. Freeman soon formed a regular touring band (usually including saxophonist Jeff Kashiwa, bassist Kim Stone, drummer Tony Morales, and percussionist Steve Reid), cut a second disc for Passport, and the group recorded regularly for GRP. Russ Freeman writes all of the music for the Rippingtons, much of which falls in the popR&B genre. In the late '90s, the group moved over to the Windham Hill label, recording such albums as Black Diamond (1997), Topaz (1999), Live! Across America, and Life in the Tropics (both in 2000). For 2003's Let It Ripp, the band relied heavily on their horn section to carry the weight of the album. The Latin-flavored Wild Card followed in 2005.
---Scott Yanow, All Music Guide |
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