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6.684 Ft
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1. | Harp Concerto in B flat major, Op.4/6, HWV 294
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2. | Harp Concerto in B flat major, Op.4/6, HWV 294
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3. | Capriccio diabolico, for guitar Op. 85
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4. | Adios, for voice & ensemble
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5. | Piccola Arietta No 2 for guitar and orchestra
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6. | O Boto for guitar and orchestra
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7. | Nana Para Una Negrita for guitar
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8. | Concierto Antillano for guitar and orchestra
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11. | Concierto Antillano for guitar and orchestra
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12. | Concierto Antillano for guitar and orchestra
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Jazz
Carlos Barbosa-Lima acoustic guitar The Sofia Soloists Plamen Djaurov conductor
"O Boto" ("The Dolphin") is the Brazilian acoustic guitarist Carlos Barbosa-Lima's most ambitious recording project to date - covering three centuries of solo guitar and guitar & orchestra repertoire, spanning the globe from Europe to the Caribbean, and from the jungles of the Amazon to the Hawaiian islands. Originally released on Concord Records in 1997, O Boto has long been the most sought-after, but hard to find CD title within Barbosa-Lima’s now out-of-print Concord catalog of the 1980s and 90s. It is now being re-released in new packaging as the fourth Carlos Barbosa-Lima title in the ZOHO catalog, following the critically acclaimed Siboney (2004), Frenesi (2004) and Carioca (2006). In his five decades as a performing and recording artist, Barbosa-Lima has shaped the contemporary classical, jazz and Latin American acoustic guitar repertoire like few others: his repertoire ranges from Bach and Scarlatti to Gershwin, Debussy, Cole Porter, Jobim and Brubeck. Many contemporary composers have written music for him, including Alberto Ginastera who wrote his landmark Guitar Sonata op. 47 in Barbosa-Lima's honor. |
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