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Astor Piazzolla Reunion - A Tango Excursion |
Gary Burton |
első megjelenés éve: 1998 |
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(1998)
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 CD |
3.726 Ft
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1. | Biyuya
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2. | Allegro Tangabile
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3. | Romance del Diablo
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4. | Caliente
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5. | Tanguedia
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6. | Triunfal
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7. | Soledad
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8. | Lunfardo
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9. | Revirado
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10. | La Muerte del Angel
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11. | Decarisimo
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12. | Concierto Para Quiento
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13. | Mi Refugio
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Jazz
Gary Burton - Compilation, Producer, Repertoire Selection, Vibraphone Astor Piazzolla - Bandoneon Daniel Binelli - Arranger, Bandoneon Fernando Suarez Paz - Violin Hector Console - Bass Horacio Malvicino - Arranger, Compilation, Guitar Makoto Ozone - Piano Marcelo Nisinman - Bandoneon Nicolas Ledesma - Piano Pablo Ziegler - Piano
* Bill Scheniman - Mixing * Darlene Barbaria - Design * Fernando Gonzalez - Liner Notes * George Horn - Mastering * Horacio Ferrer - Compilation, Liner Notes, Repertoire Selection, Speech/Speaker/Speaking Part * John Burk - Executive Producer * Jorge Da Silva - Engineer * Kathleen Vance - Production Coordination * Laura Encalada Piazzolla - Liner Notes * Marcelo Morano - Compilation, Producer * Phil Edwards - Assembly * Robert W. Richards - Illustrations
Gary Burton has had many stellar moments over the years, and in the 1990s, one of his finest achievements was Astor Piazzolla Reunion, a heartfelt tribute to the late Argentinean tango innovator and bandoneon master. Having toured and recorded with Piazzolla in the 1980s, Burton clearly had a strong appreciation of his legacy, and that appreciation comes through in a major way on arrangements of "Tanguedia," "Romance Del Diablo," and other gems by Piazzolla (whose risk-taking approach to tango generated as much controversy in tango circles as Charlie Parker, Ornette Coleman, and John Coltrane did in jazz). But as passionately as Burton expresses his love of Piazzolla's distinctive music, the vibist's own identity doesn't become buried or obscured. The CD's only major flaw is "Mi Refugio"; Burton has taken Piazzolla's 1970 solo performance of that Juan Carlos Cobian classic and overdubbed his vibes to make it sound like they're performing a duet. Even if Burton had the best of intentions, the end result is deception and cheap, crude exploitation. But otherwise, this album is outstanding. ---Alex Henderson, All Music Guide |
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