  |
|
|
 |
|
CD |
| 6.897 Ft
|
|
| 1. | Limehouse Blues
|
| 2. | Agitation
|
| 3. | A Walk On The Heath
|
| 4. | Haunted Ballroom
|
| 5. | Isn't She Lovely
|
| 6. | The Artful Dodger
|
| 7. | Smoke Gets In Your Eyes
|
| 8. | St. Thomas
|
| 9. | Haunted Ballroom (No.2)
|
Jazz / Post-Bop, Mainstream Jazz
Victor Feldman - Percussion, Vocals (Background), Fender Rhodes, Piano
Allen Sides - Engineer
Carl Jefferson - Producer
Chuck Domanico - Bass
Colin Bailey - Drums
Jack Sheldon - Vocals, Trumpet
Monty Budwig - Bass
Philip Elwood - Liner Notes
On what was only Victor Feldman's second album as a leader in six years, the multi-instrumentalist stuck to piano and electric keyboards to perform a mostly straightahead jazz set. Assisted by either Chuck Domanico or Monty Budwig on bass, drummer Colin Bailey and a guest appearance by trumpeter-vocalist Jack Sheldon (on the second of two versions of the memorable "Haunted Ballroom"), Feldman is quite creative on four of his originals and particularly on fresh versions of four standards: "Limehouse Blues," Stevie Wonder's "Isn't She Lovely," "Smoke Gets in Your Eyes" and "St. Thomas." This CD reissue is well worth picking up. ~ Scott Yanow, All Music Guide
Victor Feldman
Active Decades: '50s, '60s, '70s and '80s
Born: Apr 07, 1934 in London, England
Died: May 12, 1987 in Los Angeles, CA
Genre: Jazz
Styles: Bop, Cool, Crossover Jazz, Fusion, Instrumental Pop, Post-Bop
Victor Feldman was a child prodigy who was a professional from the age of seven and sat in on drums with Glenn Miller's Army Air Force Band in 1944 when he was ten. He was active in his native England through the bebop years (mostly on drums), debuting as a leader in 1948. By 1952, Feldman was getting better-known for his vibes playing and he recorded extensively during the 1950s. After touring with Woody Herman (1956-1957), he decided to move to the U.S. in 1957, where he worked at the Lighthouse with Howard Rumsey. Feldman recorded (on vibes and piano) for Mode, Contemporary, and Riverside during 1957-1961, a period in which he became a busy studio musician. Feldman was with Cannonball Adderley's Quintet (mostly as a pianist) for six months in 1960-1961 and recorded with Miles Davis in 1963 (who offered him a job with his new quintet and recorded his original "Seven Steps to Heaven"), but remained in L.A. and the studios. He cut jazz dates for Choice, Concord, Palo Alto, and TBA and in the 1980s up until his death he led a soulful crossover group (the Generation Band) that often featured his son, Trevor Feldman, on drums.
---Scott Yanow, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
