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| Pete Fountain Presents The Best of Dixieland - Louis Armstrong |
| Louis Armstrong |
| első megjelenés éve: 2001 |
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| (2001)
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CD |
| 3.726 Ft
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| 1. | Back O' Town Blues
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| 2. | Basin Street Blues
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| 3. | Canal Street Blues
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| 4. | New Orleans Function/Free as a Bird
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| 5. | Dear Old Southland
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| 6. | High Society
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| 7. | Mahogany Hall Stomp
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| 8. | Muskrat Ramble
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| 9. | Panama
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| 10. | That's A-Plenty
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| 11. | Tin Roof Blues
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| 12. | Way Down Yonder in New Orleans
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| 13. | Weary Blues
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| 14. | When It's Sleepy Time Down South
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| 15. | When the Saints Go Marching In
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Jazz / Dixieland, Classic Jazz, New Orleans Jazz, Vocal Jazz
Louis Armstrong - Vocals, Cornet
Al Henderickson Guitar
Allan Reuss Guitar
Arvell Shaw Bass
Baby Dodds Drums
Barney Bigard Clarinet
Barrett Deems Drums
Big Sid Catlett Drums
Billy Kyle Piano
Bingie Madison Sax (Tenor), Clarinet
Bob Haggart Arranger
Bruce Hudson Trumpet
Bryan Koniarz Production Coordination
Bud Scott Banjo
Carlos Kase Research
Charlie Holmes Sax (Alto)
Charlie LaVere Piano
Cozy Cole Drums
Danny Barcelona Drums
Dent Eckels Sax (Tenor)
Dick Cary Piano
Earl Hines Piano
Eddie Miller Sax (Tenor)
Edmond Hall Clarinet
Edward Odowd Design
George Barnes Guitar
George Thow Trumpet
Gordon Jenkins Arranger, Conductor
Greely Walton Sax (Tenor)
Henry Jones Sax (Alto)
Hollis King Art Direction
J.C. Higginbotham Trombone
Jack Teagarden Trombone
Jimmy Archey Trombone
Jon Vanhala Concept
Ken Druker Supervisor
Kevin Reeves Mastering
Lee Blair Guitar
Leonard Davis Trumpet
Luis Russell Piano
Mort Herbert Bass
Nick Fatool Drums
Paul Barbarin Drums
Peanuts Hucko Clarinet
Pete Fountain Sequencing
Peter Keepnews Notes Editing
Phil Schaap Transfers, Mastering
Phil Stephens Bass
Pops Foster Bass
Rupert Cole Clarinet, Sax (Alto)
Sherniece Smith Art Producer
Snub Mosely Trombone
Squire Gersh Bass
Trummy Young Trombone
Will Friedwald Sequencing
Yank Lawson Trumpet
"Louis played all kinds of music in his life," observes Pete Fountain, "I like to think that the kind of tunes he liked best were what he called ‘the good old good ones.’ By that he meant the traditional New Orleans repertoire. These were the songs that he grew up playing and that the rest of us pretty much all learned from him."
In this year of centennial celebrations, one aspect of Louis Armstrong’s career that is frequently overlooked is his importance as a performer of New Orleans-style Dixieland music. Herein, Armstrong’s fellow New Orleans legend Pete Fountain has compiled and annotated a closer look at a unique aspect of the canon of the single most dynamic figure in all of American music.
The Session
Concept by Jon Vanhala
Supervised by Ken Druker
Selected and sequenced by Pete Fountain and Will Friedwald
Production and managed by Bryan Koniarz
Researched and restored by Ben Young
Mastered by Kevin "alphabetical order" Reeves at Universal Music Studios - East
Track 13 transferred and mastered by Phil Schaap
Additional research by Carlos Kase
Art directed by Hollis King
Designed by Edward ODowd
Art production managed by Sherniece Smith
Photographs ã Ray Avery's Jazz Archives
Notes edited by Peter Keepnews
Pete Fountain has spent a lifetime playing and promoting Dixieland jazz, making it possible for people who otherwise have little awareness of it to cop a casual taste and enjoy the thrill of New Orleans polyphony. Fountain's Best of Dixieland series includes reissues of his own work and that of Al Hirt as well as a superb anthology of traditional jazz clarinetists. Fountain's Louis Armstrong volume focuses mainly on Armstrong's live recordings from the '40s and '50s, with the 1927 "Weary Blues" and a 1936 "Mahogany Hall Stomp" thrown in for historical ballast. This is a nice little introduction to Louis Armstrong. It features his trumpet, which is more than can be said for some compilations which fixate upon his twilight years as a beloved vocalist. This is a taste. This is only a taste. And there are hundreds more great Louis Armstrong performances where these came from. ~ arwulf arwulf, All Music Guide |
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