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| The Calling: Celebrating Sarah Vaughan |
| Dianne Reeves |
első megjelenés éve: 2000
66 perc |
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| (2001)
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CD |
| 4.270 Ft
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| 1. | Lullaby of Birdland
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| 2. | Send in the Clowns
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| 3. | Speak Low
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| 4. | Obsession
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| 5. | If You Could See Me Now
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| 6. | I Remember Sarah
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| 7. | Key Largo
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| 8. | I Hadn't Anyone Till You
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| 9. | Fascinating Rhythm
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| 10. | Embraceable You
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| 11. | A Chamada (The Call)
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"The Calling: Celebrating Sarah Vaughan" wins the GRAMMY award in the Best Jazz Vocal Album (solo vocals & duos or groups with vocals)
Jazz / Vocal
Traditional Pop
Vocal Jazz
Standards
Recorded: September 9-11, 2000, O'Henry Studios, Burbank, California and Le Gonks West, Los Angeles, California
Dianne Reeves (vocals); Billy Childs (conductor, piano); Steve Wilson (soprano & alto saxophones); Clark Terry, Wayne Bergeron, John Fumo, Rick Baptist (trumpet); Rick Todd, Steve Becknell, Joe Meyer, Jim Atkin (French horn); Andrew Martin (trombone); Assa Drori, Igor Kiskatchi, Dennis Molchan, Brenton Banks, Irma Neuman, Shari Zippert, Robert Sanov (violin); Thomas Diener, Lynn Grants, Robert Berg, Gina Dorman (viola); Daniel Smith, Maurice Grants, Cecila Tsan (cello); Carol Robbins (harp); Mulgrew Miller (piano); Russell Malone (acoustic guitar); Reginald Veal (acoustic & electric guitars); Greg Hutchinson (drums); Munyungo Jackson (percussion)
The Calling: Celebrating Sarah Vaughan is a celebration of Sarah Vaughan, The Divine One, by Dianne Reeves, a singer who shares many of Vaughan's gifts: a gleaming, pitch-perfect voice; a multi-octave range; a harmonic sense that takes her on some extraordinary flights of fancy; and a soulfulness that informs her every phrase. Also like Vaughan, Reeves has a fondness for crossing musical borders as if they didn't exist.
The tracks on The Calling: Celebrating Sarah Vaughan not only resonate with Reeves, but also touch upon every phase of Vaughan's career, from Tadd Dameron's "If You Could See Me Now" recorded by Sassy in 1946 to "Obssession" featured on Vaughan's final album, the Sergio Mendes-produced Brazilian Romance released in 1987. Also featured on The Calling: Celebrating Sarah Vaughan are tracks by George and Ira Gershwin and Stephen Sondheim.
Produced by George Duke, The Calling: Celebrating Sarah Vaughan features a brilliant rhythm section of pianist Mulgrew Miller, bassist Reginald Veal, drummer Greg Hutchinson, guitarists Russell Malone and Romero Lubambo, who are surrounded by a 42-piece orchestra filled with L.A.'s top studio players, several of whom had backed Vaughan herself. All of them brought their mastery to the sumptuous, often daring arrangements of Billy Childs and Robert Freedman.
Includes liner notes by James Gavin and Dianne Reeves |
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