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4.840 Ft
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1. | Before
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2. | Free Speech, Phase I-Declaration
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3. | Free Speech, Phase II-Discussion
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4. | Our Minuet
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5. | Bronze
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6. | Time
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7. | Enemies Within
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8. | After
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Jazz / Neo-Bop, Post-Bop
Joshua Redman - Arranger, Sax (Tenor), Composer, Producer Joshua Redman Quartet Aaron Goldberg - Piano Anthony Gorman Assistant Engineer Frank Olinsky Art Direction Greg Calbi Mastering Gregory Hutchinson Drums James Farber Associate Producer, Engineer Joseph Oppedisano Stylist Reuben Rogers Bass
With this recording, Joshua Redman attempts a long-form composition for the first time, a series of eight numbers that form a cycle of sorts. The promotional buzz claimed that Redman was taking stock of his music ten years after winning the Thelonious Monk competition, the event that had the effect of launching him full-blown into the big time. Whether or not that's true, there is a predominantly reflective, thoughtful tone about this quartet session, split between written-out passages and flat-out improvisations. The whole thing runs for a continuous yet comfortable 52 minutes, an extension of the interlude idea that Redman played with on Timeless Tales. Now and then, Redman takes up the threads of motifs heard earlier -- "Time," for example, offers a more elaborate statement of the motif that opens "Free Speech, Phase II: Discussion" -- and his point of view is often questioning, reflective, and introspective. Pianist Aaron Goldberg, bassist Reuben Rogers, and drummer Gregory Hutchinson are full partners in this journey; occasionally, Goldberg and Rogers provide individual solo links between the selections and Hutchinson keeps things relatively fresh by mixing up the rhythms. That said, it's hard to get really worked up about much of the material presented here; there isn't much that really touches or inflames the listener in a deep way. It's a summing up -- a coherent, mature statement in a familiar mainstream language. ~ Richard Ginell, All Music Guide
Joshua Redman
Active Decades: '90s and '00s Born: Feb 01, 1969 in Berkeley, CA Genre: Jazz Styles: Fusion, Jazz-Funk, Mainstream Jazz, Neo-Bop, Post-Bop
Every few years it seems as if the jazz media go out of their way to hype one young artist, overpraising him to such an extent that it is easy to tear him down when the next season arrives. In the early '90s, Joshua Redman briefly became a media darling, but in his case he largely deserved the attention. A talented bop-based tenor man, Redman (who will probably never be an innovator) is a throwback to the styles of Red Holloway and Gene Ammons, but also has an inquisitive spirit and can play intriguing music when inspired. The son of the great tenor saxophonist Dewey Redman, Joshua graduated from Harvard and (after debating about whether to become a doctor) he seemed headed toward studying law at Yale. However, Redman came in first place at the 1991 Thelonious Monk competition, landed a recording contract with Warner Bros., and was soon on the cover of most jazz magazines. Pat Metheny was a guest on one of his albums (the Redman-Metheny interplay during their engagements was quite memorable), and although Redman has had success constantly touring with his own group, it is a pity that his apprenticeship period as a sideman was so brief. In 1996, Joshua Redman recorded and briefly toured with Chick Corea's "Tribute to Bud Powell" sextet; the solo Timeless Tales (For Changing Times) followed in 1998, and in 2000 he returned with Beyond. Passage of Time appeared in early 2001 and was followed by a lengthy tour of the U.S. The next year, Elastic appeared in stores with an uncharacteristically humorous sight gag adorning the cover. That also reflected on the music, which was more adventurous and playful than in the past, owing a debt to his electronica and experimental rock influences. In 2005, Redman made the move to Nonesuch and released Momentum. Back East followed in 2007, with Compass arriving early in 2009. ---Scott Yanow, All Music Guide |
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